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Consider This Pocket Machine For Your iPhone Backups

2025-12-12 17:00:31

What if you find yourself as an iPhone owner, desiring a local backup solution — no wireless tech involved, no sending off data to someone else’s server, just an automatic device-to-device file sync? Check out [Giovanni]’s ios-backup-machine project, a small Linux-powered device with an e-ink screen that backs up your iPhone whenever you plug the two together with a USB cable.

The system relies on libimobiledevice, and is written to make simple no-interaction automatic backups work seamlessly. The backup status is displayed on the e-ink screen, and at boot, it shows up owner’s information of your choice, say, a phone number — helpful if the device is ever lost. For preventing data loss, [Giovanni] recommends a small uninterruptible power supply, and the GitHub-described system is married to a PiSugar board, though you could go without or add a different one, for sure. Backups are encrypted through iPhone internal mechanisms, so while it appears you might not be able to dig into one, they are perfectly usable for restoring your device should it get corrupted or should you need to provision a new phone to replace the one you just lost.

Easy to set up, fully open, and straightforward to use — what’s not to like? Just put a few off-the-shelf boards together, print the case, and run the setup instructions, you’ll have a pocket backup machine ready to go. Now, if you’re considering this as a way to decrease your iTunes dependency, you might as well check out this nifty tool that helps you get out the metadata for the music you’ve bought on iTunes.

DIY Synth Takes Inspiration From Fretted Instruments

2025-12-12 14:00:24

There are a million and one MIDI controllers and synths on the market, but sometimes it’s just more satisfying to make your own. [Turi Scandurra] very much went his own way when he put together his Diapasonix instrument.

Right away, the build is somewhat reminiscent of a stringed instrument, what with its buttons laid out in four “strings” of six “frets” each. Only, they’re not so much buttons, as individual sections of a capacitive touch controller. A Raspberry Pi Pico 2 is responsible for reading the 24 pads, with the aid of two MPR121 capacitive touch ICs.

The Diapasonix can be played as an instrument in its own right, using the AMY synthesis engine. This provides a huge range of patches from the Juno 6 and DX7 synthesizers of old. Onboard effects like delay and reverb can be used to alter the sound. Alternatively, it can be used as a MIDI controller, feeding its data to a PC attached over USB. It can be played in multiple modes, with either direct note triggers or with a “strumming” method instead.

We’ve featured a great many MIDI controllers over the years, from the artistic to the compact. Video after the break.

Step into my Particle Accelerator

2025-12-12 11:00:39

If you get a chance to visit a computer history museum and see some of the very old computers, you’ll think they took up a full room. But if you ask, you’ll often find that the power supply was in another room and the cooling system was in yet another. So when you get a computer that fit on, say, a large desk and maybe have a few tape drives all together in a normal-sized office, people thought of it as “small.” We’re seeing a similar evolution in particle accelerators, which, a new startup company says, can be room-sized according to a post by [Charles Q. Choi] over at IEEE Spectrum.

Usually, when you think of a particle accelerator, you think of a giant housing like the 3.2-kilometer-long SLAC accelerator. That’s because these machines use magnets to accelerate the particles, and just like a car needs a certain distance to get to a particular speed, you have to have room for the particle to accelerate to the desired velocity.

A relatively new technique, though, doesn’t use magnets. Instead, very powerful (but very short) laser pulses create plasma from gas. The plasma oscillates in the wake of the laser, accelerating electrons to relativistic speeds. These so-called wakefield accelerators can, in theory, produce very high-energy electrons and don’t need much space to do it.

The startup company, TAU Systems, is about to roll out a commercial system that can generate 60 to 100 MeV at 100 Hz. They also intend to increase the output over time. For reference, SLAC generates 50,000 MeV. But, then again, it takes two miles of raceway to do it.

The initial market is likely to be radiation testing for space electronics. Higher energies will open the door to next-generation X-ray lithography for IC production, and more. There are likely applications for accelerated electrons that we don’t see today because it isn’t feasible to generate them without a massive facility.

On the other hand, don’t get your checkbook out yet. The units will cost about $10 million at the bottom end. Still a bargain compared to the alternatives.

You can do some of this now on a chip. Particle accelerators have come a long way.

Photo from Tau Systems.

Designing a Simpler Cycloidal Drive

2025-12-12 08:00:36

A man's hands are holding an assembly of 3D-printed parts. There is a white backplate, with a yellow circular piece running through the middle. The yellow piece is surrounded by metal rods. Another blue shaft runs through the left side of the assembly. A rougly-diamond shaped plate encompasses both of these shafts.

Cycloidal drives have an entrancing motion, as well as a few other advantages – high torque and efficiency, low backlash, and compactness among them. However, much as [Sergei Mishin] likes them, it can be difficult to 3D-print high-torque drives, and it’s sometimes inconvenient to have the input and output shafts in-line. When, therefore, he came across a video of an industrial three-ring reducing drive, which works on a similar principle, he naturally designed his own 3D-printable drive.

The main issue with 3D-printing a normal cycloidal drive is with the eccentrically-mounted cycloidal plate, since the pins which run through its holes need bearings to keep them from quickly wearing out the plastic plate at high torque. This puts some unfortunate constraints on the size of the drive. A three-ring drive also uses an eccentric drive shaft to cause cycloidal plates to oscillate around a set of pins, but the input and output shafts are offset so that the plates encompass both the pins and the eccentric driveshaft. This simplifies construction significantly, and also makes it possible to add more than one input or output shaft.

As the name indicates, these drives use three plates 120 degrees out of phase with each other; [Sergei] tried a design with only two plates 180 degrees out of phase, but since there was a point at which the plates could rotate just as easily in either direction, it jammed easily. Unlike standard cycloidal gears, these plates use epicycloidal rather than hypocycloidal profiles, since they move around the outside of the pins. [Sergei] helpfully wrote a Python script that can generate profiles, animate them, and export to DXF. The final performance of these drives will depend on their design parameters and printing material, but [Sergei] tested a 20:1 drive and reached a respectable 9.8 Newton-meters before it started skipping.

Even without this design’s advantages, it’s still possible to 3D-print a cycloidal drive, its cousin the harmonic drive, or even more exotic drive configurations.

Amiibo Emulator Becomes Pocket 2.4 GHz Spectrum Analyzer

2025-12-12 05:00:02

As technology marches on, gear that once required expensive lab equipment is now showing up in devices you can buy for less than a nice dinner. A case in point: those tiny displays originally sold as Nintendo amiibo emulators. Thanks to [ATC1441], one of these pocket-sized gadgets has been transformed into 2.4 GHz spectrum analyzer.

These emulators are built around the Nordic nRF52832 SoC, the same chip found in tons of low-power Bluetooth devices, and most versions come with either a small LCD or OLED screen plus a coin cell or rechargeable LiPo. Because they all share the same core silicon, [ATC1441]’s hack works across a wide range of models. Don’t expect lab-grade performance; the analyzer only covers the range the Bluetooth chip inside supports. But that’s exactly where Wi-Fi, Bluetooth, Zigbee, and a dozen other protocols fight for bandwidth, so it’s perfect for spotting crowded channels and picking the least congested one.

Flashing the custom firmware is dead simple: put the device into DFU mode, drag over the .zip file, and you’re done. All the files, instructions, and source are up on [ATC1441]’s PixlAnlyzer GitHub repo. Check out some of the other amiibo hacks we’ve featured as well.

 

Extremely Rare Electric Piano Restoration

2025-12-12 03:30:12

Not only are pianos beautiful musical instruments that have stood the test of many centuries of time, they’re also incredible machines. Unfortunately, all machines wear out over time, which means it’s often not feasible to restore every old piano we might come across. But a few are worth the trouble, and [Emma] had just such a unique machine roll into her shop recently.

What makes this instrument so unique is that it’s among the first electric pianos to be created, and one of only three known of this particular model that survive to the present day. This is a Vivi-Tone Clavier piano which dates to the early 1930s. In an earlier video she discusses more details of its inner workings, but essentially it uses electromagnetic pickups like a guitar to detect vibrations in plucked metal reeds.

To begin the restoration, [Emma] removes the action and then lifts out all of the keys from the key bed. This instrument is almost a century old so it was quite dirty and needed to be cleaned. The key pins are lubricated, then the keys are adjusted so that they all return after being pressed. From there the keys are all adjusted so that they are square and even with each other. With the keys mostly in order, her attention turns to the action where all of the plucking mechanisms can be filed, and other adjustments made. The last step was perhaps the most tedious, which is “tuning” the piano by adjusting the pluckers so that all of the keys produce a similar amount or volume of sound, and then adding some solder to the reeds that were slightly out of tune.

With all of those steps completed, the piano is back in working order, although [Emma] notes that since these machines were so rare and produced so long ago there’s no real way to know if the restoration sounds like what it would have when it was new. This is actually a similar problem we’ve seen before on this build that hoped to model the sound of another electric instrument from this era called the Luminaphone.

Thanks to [Eluke] for the tip!