2026-04-02 23:04:11
Minnesota photojournalist Rob Levine and the Reporters Committee for Freedom of the Press are suing the Federal Aviation Administration over a recently issued restriction that prevents drones from flying within 3,000 feet of Department of Homeland Security buildings and vehicles, an amorphous no-fly zone that encompasses Immigrations and Customs Enforcement agents.
The FAA issued the temporary flight restriction (TFR) in January as ICE agents flooded the streets of Minneapolis. The rule established a no fly zone of 3,000 feet around “Department of Homeland Security facilities and mobile assets,” a restriction that Levine and his lawyers argue is impossible to follow and is aimed at curtailing the First Amendment rights of journalists.
“Because there is no means of verifying in advance whether DHS vehicles—such as unmarked cars driven by Immigration and Customs Enforcement agents—are operating in a given location, the practical consequence is that drone pilots nationwide cannot know whether a flight will expose them to liability,” Levine’s lawyers argued in a court document.
Levine lives in Minneapolis and spent the early days of Operation Metro Surge using his drone to capture footage of protests and ICE agents. Then the TFR hit. “It sent a shiver down my spine,” he told 404 Media. “I’m like ‘Oh my god.’ In a city like Minneapolis at the time with, I don’t know, three or four thousand DHS agents in various stages of uniform or undercoverness or civilian cars that they had switched license plates on? Masquerading as delivery men? They were everywhere here. I immediately grounded myself because there was no way you could know in advance whether or not you were violating that [flight restriction]. And when you’re flying they could drive by and you might not even know it.”
Grayson Clary, a lawyer with Reporters Committee for Freedom of the Press who is representing Levine, told 404 Media that the FAA has previously used flight restrictions in ways that seem designed to prevent newsgathering. “The FAA has a long history of imposing these temporary flight restrictions over newsworthy events in ways that frustrate journalists' ability to cover protests, law enforcement's response to protests, you name it, and this is sort of the newest escalation in that story,” he said.
This new no fly zone is a modification of an old TFR from 2025 that restricted drone pilots from operating within 3,000 feet of Department of Defense and Department of Energy bases.
“When you think about the old restriction, it’s essentially don’t fly within 3,000 feet of an enormous Naval vessel or a Department of Energy convoy that’s ferrying nuclear weapons around,” Clary said. “They just sort of added DHS to the end of that without taking stock of just how much more difficult it is to know whether you’re within 3,000 feet of a DHS ground vehicle as opposed to within 3,000 feet of a destroyer sitting in a Naval base.”
DHS isn’t forthcoming about the number of ICE agents in a given city or where they are operating. They often wear plainclothes, patrol cities in unmarked vehicles, and don’t announce themselves to people in the neighborhoods they patrol. Clary and Levine argued that the secretive nature of DHS has made it impossible for journalists to comply with the FAA’s no fly zone.
The penalties for violating the FAA restriction are severe. “They can take your drone and destroy it. They could shoot it down if they wanted to. They can arrest you and throw you in jail…and they can also make it so you can never fly a drone again,” Levine said. “It seems purely to prevent photo journalism and to chill photo journalists because the rule is so vague they could even charge you after the fact if they determined that you were somewhere and they had been near there.” The FAA has a history of trying to enforce drone restrictions against operators after the fact, based on footage or images posted on YouTube or social media sites.
Clary agreed. “That’s part of what makes this such a First Amendment problem is that it has a real chilling effect. When you don't know where exactly the line is, you're going to play it more carefully to make sure that you don't accidentally cross it,” he said.
Levine has fought the FAA before on this issue and won. In 2016, just as he was first learning how to pilot drones for his photojournalism work, he traveled to North Dakota to cover the anti-oil pipeline protests at Standing Rock. At the time, the FAA had issued a TFR over the area but Levine was able to push the agency into granting him a waiver on First Amendment grounds.
DHS operates its own drones to aid its surveillance efforts. Last year it flew Predator drones above protests in Los Angeles and Minneapolis residents have taken a lot of footage capturing drones flying above homes in Minnesota.
2026-04-02 22:50:08
In 1969, the three astronauts of the Apollo 10 mission conducted a momentous “dress rehearsal” for putting humans on the lunar surface for the first time. It was a historic, inspiring moment for humanity; Astronaut John Young watched from a command module spacecraft as Thomas Stafford and Gene Cernan broke away and flew a lunar module within 10 miles of the moon’s surface, then reunited to return home to Earth. It’s from this mission that we have one of the most powerful transcripts in NASA history:
“Who did what?” Young asked. “Where did that come from?” Cernan added.
“Give me a napkin quick,” Stafford said. “There’s a turd floating through the air.”
The provenance of the poop remains one of the great mysteries of spaceflight. Today, in the early Earth-morning hours of the Artemis II astronauts’ history-mirroring mission around the moon, we have another: Why is Microsoft Outlook not working in space?
2026-04-02 21:47:24
TeleGuard, an app that markets itself as a secure, end-to-end encrypted messaging platform which has been downloaded more than a million times, implements its encryption so poorly that an attacker can trivially access a user’s private key and decrypt their messages, multiple security researchers told 404 Media. TeleGuard also uploads users’ private keys to a company server, meaning TeleGuard itself could decrypt its users’ messages, and the key can also at least partially be derived from simply intercepting a user’s traffic, the researchers found.
The news highlights something of the wild west of encrypted messaging apps, where not all are created equal.
“No storage of data. Highly encrypted. Swiss made,” the website for TeleGuard reads. The site also says, “The chats as well as voice and video calls are end-to-end encrypted.”
2026-04-02 02:00:25
Scientists have engineered tobacco plants to produce five psychedelic compounds that are normally found in a wide range of natural sources, including psilocybin mushrooms, ayahuasca, and toads, according to a study published on Wednesday in Science Advances.
The breakthrough could lead to more sustainable and scalable production of these compounds by using model plants to biosynthesize common psychedelic “tryptamines,” such as psilocybin from hallucinogenic mushrooms, N,N-Dimethyltryptamine (DMT) from plants, and psychoactive compounds secreted by the Sonoran Desert toad.
Eventually, this research could pave the way toward—as one example—tomato plants that contain microdoses of psychedelic cocktails in each fruit. However, the study’s authors emphasized that these modified plants would need to be limited to medical use in clinical settings, and should not be accessible to consumers for recreation.
“We are interested in this, not because of the recreational effects, but because of the medicinal potential,” said Paula Berman, a postdoctoral researcher at the Weizmann Institute of Science who co-led the study, in a call with 404 Media.
“This combination of five psychedelics—I don't think anyone has ever tried something like it,” added senior author Asaph Aharoni, principal investigator and head of the department of plant and environmental sciences at the Weizmann Institute of Science, in the same call.
Tryptamines are a subclass of metabolites—compounds produced by metabolic processes in organisms—which have wide-ranging potential as treatments for conditions such as depression, anxiety, mood disorders, and post-traumatic stress disorder.
Indigenous cultures in many regions have cultivated tryptamines for thousands of years for ritual, spiritual, and therapeutic purposes. These compounds are now in high demand as both recreational drugs and medicinal treatments, though legal regulations governing their use vary widely around the world.
Due to their growing popularity, many of the source organisms that produce these compounds are facing significant ecological stresses in the wild; for example, the Sonoran Desert toad population is rapidly declining due to poaching and over-harvesting. Scientists have produced synthetic versions of some tryptamines, but those methods often involve complicated processing steps and hazardous reactants that generate chemical waste.
To help alleviate these problems, Berman, Aharoni, and their colleagues reconstructed the biosynthetic pathways in five tryptamines: Psilocin and psilocybin, both found in hallucinogenic mushrooms; DMT, which is the psychoactive part of ayahuasca; and the psychedelic compounds bufotenin and 5-methoxy-DMT secreted by the Sonoran Desert toad.
The team then inserted the active genes of these pathways into the leaves of a tobacco plant, creating a botanical platform to produce all five psychedelics. By design, the modified plants are not able to pass these genes onto future generations, as this study is intended to offer a “proof of concept,” Berman said.
“In one leaf, we get five different psychedelics from three different kingdoms,” said Aharoni. “But since it is not inherited, it will stay in the leaves and will not go through to seeds, flowering, pollination, and to the next generation.”
“One reason that we did that is we are still not sure if we want to make plants where everybody can grab seeds from us and grow a plant with five different compounds” that might be deadly, he added. “We have to make sure that it stays in research.”
With that caveat, the team hopes that their work could lead to a method of tryptamine biosynthesis that could help meet the global demand for these compounds. In addition to sidestepping the disadvantages of synthetic versions, this technique could also remove stressors on wild populations. The goal is to ensure that wild tryptamine sources can be reserved for use in traditional Indigenous practices.
The researchers are also interested in clarifying the evolutionary purpose of psychedelic compounds for the plants that naturally produce them, which remains mysterious in many cases.
“We understand the importance of the plants, the fungi, and the Sonoran Desert toad, and every species that we discuss in the paper,” Berman said. “One of our motivations was to really understand better what these species do, so that we can mimic what they do.”
“Over-harvesting endangers the natural availability of these species for native peoples and Indigenous groups,” she concluded. “We have so much respect for the knowledge that they provide us, and we just want to add to this knowledge and to be able to produce these in a more sustainable way.”
2026-04-01 21:10:17
Sometimes people—especially those in the field of public relations doing a pray-and-spray campaign, but also small-time developers, the occasional delusional vibe-coder, and local dipshits—deliver messages to my inbox like a cat dropping a dead mouse on my doorstep. For the most part, I resist the bait: often, bad press is still press to these people, or I’m just too busy to really look at the pitch or try the product.
This week, I’m coming back from a week of being entirely offline. I didn’t look at the news or my inboxes for seven straight days. I’m feeling properly healed, and also like I need to retraumatize myself back into the swing of things. Lucky me, on Monday morning, someone representing EnjoyMeNow emailed me about “a mobile website that places a photorealistic 3D character in your real room using augmented reality” using something called “Arousal Intelligence” and “real-time physics,” which streams “in a full engine from a global delivery network.” This press release, sent from “a globally focused media and entertainment holding company pioneering technology-driven innovation across digital platforms worldwide” called DCBG Group which represents EnjoyMeNow, was very thrilling to read as someone who appreciates the art of a good word salad. I dropped what I was doing (deleting hundreds of other emails) to try it out.
Once on the EnjoyMeNow.com mobile site, after agreeing that you’re over 18, you’re asked to choose a “Pleasurette™,” a gender neutral term for a series of 3D characters and a trademark filed two weeks ago. These include five women wearing sex toy store package lingerie, and one dude, Adrian.
“Every character—called a Pleasurette™—is a photorealistic digital human built from scratch with realistic skin shading, multi-pass rendered hair, and soft-body physics. No real performers are filmed, recorded, or motion-captured. The characters are created entirely in 3D software.” Presented without comment are the Pleasurettes™:
I choose Adrian first because I’m always curious how AR and VR porn copes with the fact that hovering pecs and an immobile penis are difficult to make sexy in this format, real or not. A lot of porn made for a VR or AR experience is shot from the penile point of view: It’s just easier to strap a 180 degree HD camera to a man’s face and tell him to hold still while a female performer is free to writhe around on top than vice-versa. Knowing this, and also knowing that the market for AR/VR porn caters heavily toward men (save for a few beacons of light, such as director Anna Lee, who a few years ago said of the proliferation of male-gaze VR porn: “You’re making the same stereotypical porn you made with a fucking camcorder. It’s the same MILF bending over in the kitchen to bake cookies”), I still went in hopeful. After all, they pitched me.
But it became clear almost immediately that Adrian is not playing for my team, so to speak, and getting the full EnjoyMeNow experience as intended requires equipment I don’t have. To get your chosen Pleasurette™ into your camera’s view, you have to hold your phone at an angle toward your crotch and stroke your penis. Helpfully, since I don’t have one of those, the app overlays a semi-transparent image of a penis at the bottom of the camera. It waits for you to put your hand in frame near the penis-guide to let the show begin. Moving my hand across the camera unlocks the start button. It’s not doing this to make sure you’re choked up on it before starting; It’s calibrating the position of the 3D model to your hand’s location and size, because that’s what controls its interactive aspects.
Without getting too graphic in a blog that’s already pretty explicit so far, this is what I encountered: Adrian walks into view totally nude, leading with his 3D dick at a 90 degree angle, and says “look up, here I come.” Tearing my eyes away from this perfectly straight tree branch and pointing the phone camera up as commanded, with more than a little trepidation, I see the jiggliest pair of male titties I’ve ever seen on screen, nipples wobbling independently of the rest of him. “Stroke back and forth your big dick,” he says, grammatically confounding me on top of already freaking me out with a thousand yard stare. When I make a jerkoff motion in his general direction, he squats up and down like he’s teabagging me in Halo. Bizarrely, when I do this, his entire body shrinks, my hand now a monstrous size in comparison to his penis. No judgement, but he moans in a woman’s voice. “Come on my back soon,” he says, before a screen interrupts the session saying I need to pay $2.99 to unlock more features, such as making my Pleasurette™ orgasm. (For the record, I tried two payment methods to fork over this low low price, both rejected.) The experience is the same with the other characters, just in different skins: the female characters crawl around and squat over my ghost penis, and I use my imagination to jerk it off, which ends up looking like I’m fistbumping tiny 3D women in the vagina. Sometimes, I clip through their hollow bodies and can see straight up into their heads or down through their labia.
EnjoyMeNow’s PR rep claims that this interactivity is a world first. “Existing AR adult content is pre-rendered video or static models you look at,” they told me. “EnjoyMeNow is interactive, where the character responds to your hand in real-time, placed in your actual room through your phone camera. And it runs entirely in the mobile browser. No app, no download, no account. That combination doesn't exist anywhere else from our research over the past year of creating this.”
Companies like SexLikeReal and Naughty America have been doing AR and VR content for years, often featuring real porn performers. But this hand-tracking thing EnjoyMeNow is doing is different than that, they claim. And I’ll concede, yes, moving your hand up and down definitely makes the 3D model move around a little bit. Here's how one of the femme characters acts:
What really makes EnjoyMeNow stand apart from plenty of other AR porn products is this insistence that not employing real models or performers makes it better or smarter, somehow. On Monday, the DCBC Group’s website said of the choice to use CGI instead of people: “This was a founding decision, not a technical workaround. The adult entertainment industry has always relied on real people putting their bodies in front of a camera—and that comes with real consequences. Exploitation, coercion, content leaked without consent, performers pressured into work they're uncomfortable with, and careers that follow people for the rest of their lives whether they want them to or not. We chose to build a platform where none of that is possible. Every character on EnjoyMeNow is created entirely in software. No one is filmed. No one is exploited. No one's livelihood depends on what they're willing to do on camera. The experience is just as immersive—and no real person is harmed or compromised in the process.”
The idea that the adult industry—and “putting bodies in front of a camera”—is inherently exploitative is not only false, it’s a harmful thing to say, and it’s especially galling coming from a literal porn web toy. This entire statement is so infuriating it’s hard to know where to begin with it. These are talking points used by the most conservative, anti-porn lobbying groups and politicians on the planet to justify stripping us all of rights, here being floated by an app that makes weird, schlocky and unsatisfying 3D characters that the residents in Second Life’s least-attended sex clubs wouldn’t even find sexy.
But again, because I had the time and was feeling fresh, I asked DCBC Group to defend this statement with some data at least. “We're not making a judgment about the adult industry or its performers,” they said. “We built a product around CGI characters, that’s a format choice, not a moral position. Some people prefer content that doesn't involve real people. We built for them. We've now updated our press page to better reflect that; thank you Sam for that observation.” The page now says “EnjoyMeNow is built around computer-generated characters rather than real performers. This is a format choice—offering a new kind of private, interactive experience that doesn't exist in traditional adult content.” Good for them for changing it.
And since users are being asked to position their dongs in front of their phone cameras on a browser-based app, I took a look at the “privacy” section of the FAQ. “Privacy is architectural, not a policy bolt-on. No app is installed. No account is required,” DCBC wrote. “All camera and motion processing runs locally on the phone—no frames, no images, no data ever leave the device. There is no cloud processing, no recording, and no persistent data stored after the session ends. When you close the tab, the adult content is automatically purged from the browser.”
I asked DCBC’s rep if they could elaborate. Well, they could at least throw more words at it: “Regarding content encryption, every 3D asset is individually encrypted at the file level, stored encrypted, transmitted encrypted, and only decrypted at render time using per-session keys that never touch the device,” they said. “There are no downloadable model files. This is a custom content protection system built specifically to prevent our CGI assets from being extracted, redistributed or changed. The specifics are proprietary, but it goes well beyond transport-layer encryption. One core goal of this architecture is ensuring no one can upload their own content to the platform. This is a closed system by design.”
“Just needless words really,” 404 Media’s privacy and security reporter Joseph Cox said about this when I showed him what DCBC said. It could easily be cut down to “we don’t allow uploads.” Which is, to be clear, for the best.
I should say here that I don’t go into these sorts of reviews assuming that I am the target audience. I’m pitched regularly by porn sites and sex toy companies on products that aren’t my personal thing; I wrote a column for years about kinks and fetishes that are not many people’s thing at all, but I wanted to better understand them and what appeal they hold for the people who love them. Maybe there are people out there who simply cannot consume content with real people in it; if that’s you, please hit me up, I would really like to hear more about that.
2026-04-01 21:07:19
This week Matthew Gault joins us to discuss his article about Iran’s AI slop and LEGO-focused propaganda, and why the creators chose LEGO. After the break, Jason tells us all about the new automated system in baseball and the drama it’s causing. In the subscribers-only section, Sam walks us through perhaps one of the worst sex apps of all time.
Listen to the weekly podcast on Apple Podcasts, Spotify, or YouTube. Become a paid subscriber for access to this episode's bonus content and to power our journalism. If you become a paid subscriber, check your inbox for an email from our podcast host Transistor for a link to the subscribers-only version! You can also add that subscribers feed to your podcast app of choice and never miss an episode that way. The email should also contain the subscribers-only unlisted YouTube link for the extended video version too. It will also be in the show notes in your podcast player.