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How Colombia’s President Reached an Uneasy Détente with Donald Trump

2026-01-15 10:06:02

2026-01-15T00:55:23.054Z

Last week, after Donald Trump sent the United States military into Venezuela to abduct President Nicolás Maduro, President Gustavo Petro of Colombia criticized it as an act of “aggression against the sovereignty of Venezuela and Latin America.” It was the latest in an escalating series of jibes between two countries that have historically been allies. In response, Trump called Petro a “sick man” who was involved in shipping cocaine to the U.S., said that he should “watch his ass,” and told reporters that a military operation against Petro “sounds good to me.”

Petro, like Trump, is a compulsive user of social media, and though aides have tried to restrain his messaging, he has become Trump’s most outspoken leftist critic in the region. After the U.S. began striking alleged drug boats in the waters off Venezuela, this past September, Petro derided Trump as a “barbarian” and the campaign as “murder.” (He also suggested that the campaign was intended to distract from the Epstein files, warning that “a clan of pedophiles wants to destroy our democracy.”) Trump called Petro a “thug,” accused him of being an “illegal drug leader,” and placed sanctions on him and members of his family.

Trump’s incursion into Venezuela seemed to have brought the relationship to a dangerous inflection point. Petro called for rallies to be held across Colombia on January 7th, “in defense of the national sovereignty.” In an impassioned video shared through social media, he recalled an old adage predicting that the eagle (the United States) would one day attack the jaguar (the people of Colombia). “Be careful, Trump and Rubio,” he said. “If the golden eagle dares to attack, they will find the jaguar awakening powerfully, and history will be changed forever.”

That evening, in Bogota’s Plaza de Bolívar, a chanting crowd waved Colombian flags and held up placards: “Shitty Gringos, Respect Colombia,” “Petro Is Not a Narcotrafficker.” Petro, who is not known for his punctuality, arrived an hour and a half late. A man of moderate height with professorial glasses and longish hair, he stood with an entourage of aides and bodyguards on a stage surrounded with Christmas lights left over from recent festivities. A cheer went up as he came to the microphone. Petro announced that he had prepared another speech, but at the last minute something had happened to change his mind.

Large rally of people with many holding Colombian flags.
Petro speaking at a rally in Bogotá, on January 7th.

People’s phones were already flashing with a news alert that Petro and Trump had spoken by phone. After half an hour of folksy disquisition, Petro finally got around to describing the conversation. He told the crowd that he and Trump had recognized that “if we don’t talk, we’re screwed. We’ll kill each other.” The risk of an attack had ebbed, but the outcome would ultimately depend on a meeting between the two leaders.

After years of fiercely criticizing Trump, Petro surprised the crowd by saying that he and the American President had agreed on some things. One was a sense of the evils of narcotrafficking; Petro recited a litany of statistics about Colombia’s efforts to halt drug smuggling. The people in the plaza alternately booed and clapped, unsure whether to welcome the détente. Memes circulated afterward suggesting that Petro had caved to Trump, or that the two were newfound amigos. To compound the surreal mood, Petro’s office issued a meme that showed a bald eagle snuggling up to a jaguar.

Two days later, Petro agreed to speak with me in his office. I arrived on time, then waited for several hours while Petro held an emergency meeting with the commander of his security forces. Finally, an aide explained that another concern had arisen: Petro had received a note from Trump, inviting him to Washington on February 3rd, and had summoned his cabinet to discuss it. But, the aide said, the President would see me first. While his ministers gathered in a hallway, Petro spoke with me for ninety minutes.

Petro sat in a favorite leather armchair, dressed comfortably in sneakers, slacks, and a white cardigan; a female assistant was combing his hair. The office had the lived-in look of a grad-school apartment. There was a blanket folded on the couch, and papers and books chaotically piled on a coffee table and a desk. A rumpled paper map of Colombia hung on an easel. Among the bric-a-brac was a large collection of hats—baseball caps, wide-brimmed straw hats, an Indigenous headdress with green and red parrot feathers.

Petro was characteristically unhurried. The last time I had seen him was in 2023, near the end of his first year in office. Then, as ever, Petro had seemed to inhabit his own thoughts, speaking for more than two hours on a sprawling range of topics. He talked at length about a book on capitalism and climate change that he was writing between Presidential obligations. He also complained that the palace was cold and uncomfortable. When a Presidential military band in the plaza outside struck up its usual afternoon tune, he closed the shutters and grimaced, saying that they drove him crazy.

Now sixty-five, Petro is a survivor of a brutal era in which the Colombian state assassinated leftist leaders and butchered their followers, in an effort to quell the country’s Marxist guerrilla forces. The death toll over thirty-five years is estimated to be well more than four hundred thousand. In the eighties, Petro was a member of the M-19, urban insurgents who caught the world’s attention by taking the American Ambassador and more than a dozen other foreign diplomats hostage for two months. They also seized the country’s Palace of Justice, in a bloody showdown.

Petro entered politics in the nineties, after Colombia’s government agreed to an amnesty, and served as a congressman and as the mayor of Bogotá. In 2022, he became the country’s first left-wing President. He began his first term with a dramatic speech at the U.N. General Assembly, in which he called for a halt to global hydrocarbon use and for a new policy of decriminalization to end the bloody, futile war on drugs. He also announced a “Total Peace” effort to solve his country’s myriad insurgencies by negotiating with all the fighting factions.

Not many of these goals have been achieved; Petro’s Presidential initiatives have been largely symbolic. As the number of armed fighters in the countryside seems only to have grown, Petro has broken off talks and gone to war, dismissing the rebels as dressed-up drug pushers. He has also made little headway on decriminalizing drugs. Despite having once claimed that “cocaine is no more harmful than whiskey,” he now talks mostly about the coca crops his government has destroyed. As for his climate-change agenda, he has halted new petroleum exploration, but Colombia still exports oil and coal; because of the abrupt transition, it must import natural gas to meet its needs.

Petro’s self-assured stubbornness has won him many adversaries, but, in the Plaza de Bolívar, his followers called out to him with almost religious fervor. By getting elected and surviving in office, he has reversed the state’s repression of leftist groups. In a gesture to the working class, he has extended universal pensions to elderly Colombians and raised the minimum wage by twenty-four per cent. Skeptics in the business community say that the increased wages will simply inflate prices. Nevertheless, in a country with widespread poverty, such efforts resonate. In recent polls, roughly a quarter of Colombians say that they regard themselves as leftists—a measure of what Petro calls “the desire for change in an unequal country.”

After the U.S. attacked Caracas, Petro went on X to suggest that a historical line had been crossed: “The first South American capital bombed, like the Hitlerian bombing of Guernica, cannot be forgotten. Friends do not bomb.” When I asked about the tumult in the region, he began by saying that he had liked and admired Hugo Chávez, who set in motion Venezuela’s “Bolivarian revolution” a quarter century ago. He didn’t feel the same way about Chávez’s successor, Maduro. Although he rejected Trump’s claims that Maduro was a drug trafficker—“First of all, they don’t have coca fields. That’s in Colombia”—he expressed little admiration. “Chávez’s movement ended up in Maduro’s hands, and became a series of factions, including the military, that wanted to control oil,” he said. “The Maduro model in its final stage brought on a process of degradation that still hasn’t bottomed out.”

Trump had made it clear that he was leaving Maduro’s Vice-President, Delcy Rodríguez, in charge. Petro described Rodríguez as a friend and said that he would help her however he could. It would not be easy for her to accommodate the more militant members of her security forces while also appeasing the U.S. But he said that he hoped her government would be able to find a way forward: “As long as there is trust and elections are called, Trump is going to realize that either he becomes more violent, with increasingly serious problems—in Venezuela, in the world, and in his own country—or he gets involved in the rules of the game that already exist.”

Before the recent call, Petro’s contact with Trump came largely in the form of trash talk online. “From the first day of Trump’s government, there was never any communication with us,” he told me. “If two Presidents don’t communicate, the governments fill that vacuum with another force.” At the start of Trump’s second term, the U.S. deported Colombian nationals in shackles on military planes, and Petro prohibited the aircraft from landing in Colombia. In a Twitter exchange that stretched on for most of a day, Trump ranted at Petro and threatened sharp tariffs on Colombian exports, while Petro likened himself to a rebellious, doomed hero of Gabriel García Márquez’s “One Hundred Years of Solitude.”

Petro finally assented, after several former Colombian Presidents offered to help smooth things over, and the relationship calmed down. But the episode prefigured Trump’s dealings with leaders of other nations, from Canada to Panama. “I thought all the Presidents were going to do the same,” Petro said, recalling his initial defiance. Instead, they mostly chose to appease the U.S.

The recent call came about at the urging of Senator Rand Paul, of Kentucky. The timing was not auspicious. The night before, Petro had gone on X to reject accusations that he was involved in narcotrafficking, writing, “The title that Trump assigns me as an outlaw of the drug trade is a reflection of his senile brain.” But Petro told me that Trump had struck a light tone when they spoke. “He didn’t want to get involved in substantive discussions,” he said. “He simply wanted to build communication.” When Petro insisted that the accusations of his involvement in the drug trade were false, Trump was solicitous: “He said, ‘You’re surrounded by lies, just like me.’ ”

Affinity will go only so far. In the forthcoming meeting in Washington, Trump is likely to insist that Colombia offer coöperation on immigration and natural resources, two areas in which he and Petro have strikingly different views. In Petro’s telling, right-wing politicians throughout the world have cynically used immigration as a wedge issue. “The fear of foreigners is the same as what existed in Germany regarding the Jews,” he said. “What it generates are far-right political proposals,” which “arise from fear and lies.”

Demonstrator Tree
An attendee looks on at the rally in Bogotá, on January 7th.

Trump is also likely to demand that Petro and Delcy Rodríguez take on the Ejército de Liberación Nacional, Colombia’s largest guerrilla group. The E.L.N. controls much of the border between the two countries, in addition to large portions of Venezuela’s interior—including the area where its valuable minerals are concentrated. The E.L.N. operated with Maduro’s approval, and is believed to have allies in the Venezuelan security forces. Trump’s intervention is unlikely to succeed unless the E.L.N. can be brought under control.

Petro told me that he wanted to offer Trump a deal. “I’m going to propose the alliance you want, but on the basis of clean energy,” he said. He recalled writing to Trump some time ago, proposing a “Pact of the Americas” to help solve environmental crises. Petro didn’t think that Trump read the letter, but he still hoped to make a persuasive pitch. “We would push the climate crisis further back,” he said. “It would be a service to humanity.” If that failed, he said, he would emphasize that he and Trump were aligned against narco gangs: “You don’t have a better warrior in Colombia against drug trafficking than me. Thirty-five per cent of the Senate ended up in jail thanks to me. I denounced the mafias that governed Colombia.”

It was not lost on Petro that Trump has withdrawn from every global initiative on climate change and conservation. “Trump’s vision is to seize oil, seize coal,” he said. He suggested that it was an inevitable effect of capitalist consumption. “The idea of private property has led them to think that oil and everything underground belongs to the landowner,” he said. “That doesn’t exist in Latin America. And when Trump says, ‘We took the oil,’ ‘They stole our oil,’ etc., those are phrases that are steeped in that culture.”

He suggested that the U.S. was dismantling the international system out of anxiety. “When the United States begins to fear losing global control to China, the desperation to control coal and oil reserves increases exponentially,” he told me. In Venezuela, where China is the largest buyer of oil, the competition between the two superpowers had become strikingly direct. If it wasn’t handled carefully, Petro said, “a world war will break out.”

Petro saw dire stakes. “The climate crisis brings barbarism because it brings migration,” he said. “There are three billion people who are going to go north if we let nothing happen between now and 2070. We’re heading toward World War III and climate collapse combined. That’s called the collapse of humanity.” Already, he said, “the United States is a society on the verge of division. Smart politicians unite people. Those who lead to collapse will be forgotten. Trump needs to understand that.”

Ultimately, Petro may not have much leverage, in the U.S. or at home. With eight months remaining in his term, Colombia is as much drawn to the right as to the left. Its Army, one of the largest in the hemisphere, is closely tied to the United States. When I asked Petro what he intended to do after leaving office, he said that it depended on whether he remained under sanctions, which prevented him from travelling to the U.S. He explained, a little wistfully, that he used to visit often, attending talks and giving speeches.

Back when Petro was a guerrilla, the M-19 carried out a symbolic operation to steal a sword that once belonged to the nineteenth-century liberator Simón Bolívar. In his office, Petro showed a hint of his old bravado when we spoke about his recent appearance in the Plaza de Bolívar. He had talked ruefully that night about having written a more forceful speech, and I asked what he’d had in mind. Was he planning to come out waving a machete and calling for armed struggle? “Kind of, yes,” he said, chuckling. What would have happened if he’d given that speech? Would Trump have come after him? Petro smiled and suggested that he would have been ready. “We’ve survived by moving and living clandestinely our whole lives,” he said. “A person like me has to know how to disguise himself.” ♦

How Donald Trump Has Transformed ICE

2026-01-15 09:06:02

2026-01-15T00:46:06.263Z

Last week, Renee Nicole Good, a thirty-seven-year-old woman in Minneapolis, was killed by an Immigration and Customs Enforcement agent in a shooting that has now been seen by people around the world and led to protests across the country. Some senior Trump Administration officials have labelled Good a “domestic terrorist” and claimed that she was trying to run over the ICE agent with her car. At a press conference, Vice-President J. D. Vance defended the agent, claiming that federal law-enforcement officials are protected by “absolute immunity.” Footage of Good’s death was only the latest in a string of viral videos of ICE personnel engaging in violent behavior toward citizens and noncitizens alike. (The Atlantic reported last year that, as part of the Administration’s efforts to swell its roster of ICE agents, training for new agents was cut by nearly two-thirds to just forty-seven days, a number chosen because Donald Trump is the forty-seventh President.)

I recently spoke on the phone with Deborah Fleischaker, who, during the Biden Administration, served as the acting chief of staff of ICE, which is housed within the Department of Homeland Security, and who, before that, was a civil servant in the D.H.S. Office for Civil Rights and Civil Liberties. During our conversation, which has been edited for length and clarity, we discussed how ICE has and has not changed during the Trump Administration, the procedures and regulations that ICE is supposed to follow, and the dangers of an out-of-control law-enforcement agency.

I was hoping we could start by talking about what exactly ICE’s rules of engagement are, and how they differ from the rules of engagement for other law-enforcement officers. When can they demand I.D., for instance? Can they tell anyone to get out of a car, or stop people on the street?

Let me just make sure we’re talking about the same thing, because ICE has two main sides. It has Homeland Security Investigations (H.S.I.) and Enforcement and Removal Operations (E.R.O.). And, because you’re talking about immigration enforcement, you’re talking mainly about E.R.O. H.S.I. handles child exploitation and fentanyl and things like that.

ICE’s immigration-enforcement authorities follow many of the same rules of standard criminal procedure. Is there reasonable suspicion? What are they investigating? Do they have a reason to think that somebody may be in violation of the law? And they tend to go from there. So, if they see somebody and they believe they have “reasonable suspicion” that somebody may not be in the country legally, they can stop and question them.

I would imagine that “reasonable suspicion” gives a certain amount of leeway to law-enforcement officials. What or who regulates the officials making those judgements?

Law-enforcement officers, including ICE, have huge amounts of discretion in almost everything they do, and “reasonable suspicion” is no different. It is something that can be taken advantage of, and I think we’re probably seeing that now. There are ways that you could have real rules and regulations around how to define “reasonable suspicion.” As a general matter, it is defined by case law, through Supreme Court and lower-court decisions. ICE used to work hard to follow case law. I don’t know if that is still true. And obviously some officer could not really have had “reasonable suspicion” and nothing happened because nobody brought a lawsuit.

And then there are other ways of handling it, more internal ways, like internal oversight and accountability measures. I used to be at the Office for Civil Rights and Civil Liberties, and I would do some of those sorts of investigations, but a lot of those mechanisms that previously existed to try and bring reasonableness and rationality to the whole D.H.S. endeavor, including ICE, have really been gutted beyond all recognition.

So, if an ICE officer wants to demand I.D. from someone to prove that they’re a citizen, the officer can do that if they have “reasonable suspicion” that they are not a citizen?

So let me actually make another distinction. There are consensual encounters and there are nonconsensual encounters. If somebody wants to coöperate, ICE can ask for anything. It’s just a question of whether you must comply or not. So ICE can go up to somebody and say, “Can I see your I.D.?” And if it’s a consensual encounter and the person says, “I don’t want to talk to you,” and walks away, there’s nothing inappropriate about that. The question is: Would the ICE officer then decide that the reaction contributes to a “reasonable suspicion” and it becomes a nonconsensual encounter—as in, they then arrest them?

So, there is a process here, but it leaves a lot of discretion for ICE officers to decide how to deal with these things.

Yes. There’s huge amounts of discretion throughout the immigration-enforcement process, and “reasonable suspicion” is just one of them. One of many.

And what about so-called Kavanaugh stops, where people have recently been detained based on their race or ethnicity, after a Supreme Court emergency ruling last year seemed to allow that for immigration enforcement, even if it is not allowed for regular cops?

Border Protection specifically was previously allowed to use race or ethnicity as part of the reason for stopping someone during immigration enforcement, but it now seems that ICE is interpreting that recent Supreme Court ruling as giving them carte blanche to stop anyone based solely on race or ethnicity.

When you were working as a bureaucrat at D.H.S., and then later in the Biden Administration in a more senior role at ICE, what was the culture of ICE? You said some of the self-enforcement mechanisms have been gutted under Trump. But what was the prior culture within the place?

So, I think perspective is everything here. I come from a civil-rights background. I thought that there were good starting points. For example, detention standards were a good thing. They are being weakened now. There are a number of sets of detention standards that apply to different facilities that are holding people on behalf of ICE around the country. And those cover everything from the provision of medical care to the safety and security of the facility to environmental health-and-safety standards and religious accommodations.

There were generally good-faith efforts made to create the rules, regulations, and policy that undergirded ICE’s mission. I tended to think that the rules and regulations should have come faster and better, but that was also the position I was in. I was supposed to be trying to push them to be better. Sometimes that worked and sometimes it didn’t.

And what about once you rose to a political position in the Biden Administration?

I did not agree politically with everyone I met at ICE, and I didn’t think that that mattered a huge amount. Most of the people I interacted with were professional and tried to do a good job and viewed the ICE mission as an important mission that they believed was underfunded. They took their responsibilities seriously. ICE is smaller, for example, than Customs and Border Protection. E.R.O. is pretty small, and interior enforcement has never got the attention that border enforcement has, but they took their job and the differences between the two seriously. Enforcement actions tended to be planned and thought through. There were written documents for them. They thought through contingencies and the need and desire to keep both the target of the enforcement action and the officers participating in the enforcement action safe. I think that’s changed over time, but that was something that I, and many other people who were involved with ICE at the time, took pride in.

How important is it for ICE to get coöperation from local law enforcement?

ICE has always worked closely with its federal, state, and local law-enforcement partners. That can be anything from serving on a joint task force to providing notice to local law enforcement when they’re going to do an enforcement action in their jurisdiction. There’s a million ways that you can coöperate. You can share information.

I think you may be getting at the issue of sanctuary jurisdictions and the idea that certain jurisdictions coöperate, more or less. And if that’s what you’re getting at, I would say that even sanctuary jurisdictions, even if somebody has a jurisdiction that has the title of sanctuary jurisdiction, there’s no real definition of what that means. And the level of coöperation can go up or down depending on the jurisdiction, but I don’t know of any jurisdictions who wouldn’t coöperate at all, under any circumstances.

As somebody who has served in ICE and understands the importance of conducting immigration enforcement in as safe and nonpublic way as possible, picking people up from prisons and jails is a huge piece of ICE doing its job well and within reasonable constraints. And so I didn’t love the sanctuary jurisdictions that wouldn’t coöperate with allowing ICE to pick people up from prisons and jails, but there’s all sorts of other ways to communicate and to coöperate, and that communication tends to be ongoing, even if a jurisdiction doesn’t share information about any particular person in its custody, for example.

So, some basic level of communication is important for public safety?

Correct. Yes.

That makes sense, but how do we think cities should be navigating this? City officials may not want to completely lose contact, for reasons of basic public safety, but also, when they see the various things that ICE is doing, it might make them wonder why they should be coöperating.

Yeah. I mean, look, at this point, I think every state and every jurisdiction is going to have to come to its own conclusions about what it’s willing to do and what it’s not willing to do. But, as somebody who has watched ICE for many, many years, what they’re doing now is unprecedented. And, to the extent that I thought coöperation was important—very important, previously—ICE now doesn’t seem to be following the typical rules of engagement. And I personally would be less inclined to coöperate in some of these ways that I think are really fundamentally important simply because of the ICE overreach.

ICE might tell a jurisdiction that it’s conducting an enforcement action in a particular place. ICE might actually ask for assistance in that enforcement action. Those are ways that sometimes communication happens that doesn’t necessarily entail, for example, giving the names of people who have been arrested, who the local jurisdiction believes is a noncitizen, to ICE. There are lots of other ways that coöperation happens. And, from the local position, they can also ask for assistance from ICE, either on a task force or just in individual circumstances. They can also ask for more specific pieces of information, like “Can you help us verify this person’s identity?”

The Washington Post reported that ICE is planning to spend a hundred million dollars on another recruitment drive, which will include looking for prospective agents at places like gun shows. Do you think the changes you’ve described are a function of new agents coming in? Are new agents less important than the messaging from the White House and ICE leadership?

There were always people within ICE who thought that they were being unfairly constrained. And I think that the Trump Administration has empowered that line of thinking, and those people, and “taken off the shackles.” And so ICE is feeling unconstrained in the way that it conducts enforcement. There are certainly people there now—not new recruits, people who’ve been there for years—who are thrilled with the direction that ICE has been moving in. There are also people who aren’t. ICE is not a monolith, and the people who work there do not all believe the same thing. And so I’ve heard from people on both sides of that since I left.

What concerns me is that the effort to hire additional people is leaning into what I would describe as the parts of the agency operating with the least control: the community sweeps, and the parts of interior enforcement that entail a visible, on-the-street presence. They’re trying to pump up those parts of the agency, which I’ve always viewed as the ones that need to be most carefully controlled.

And what about the lack of training? What effect might that have?

I would say, obviously, just the very idea that they’ve chosen to make the basic training for ICE recruits forty-seven days because Trump is the forty-seventh President tells you how seriously they take it. That’s not how you decide how much training somebody needs. You decide how much training somebody needs based on the type of job they’re going to be engaging in and the type of knowledge and information and practice they need to conduct that job safely. They are just looking to make training easier and faster as the number of agents continues to grow. And I think that that’s a very scary outcome.

What specifically scares you?

We’re seeing unconstrained immigration enforcement, and I think that that has a lot of bad outcomes. And I think that it is, to be honest, not in support of public safety. Law-enforcement officers are supposed to be public-safety officers. This, to me, feels like it is not only not supporting public safety but it is reducing public safety in the sort of unconstrained, aggressive, non-targeted mechanism that they’re using to conduct immigration enforcement. And, by surging more people to do more of it, we’re going to have more bad outcomes.

I don’t want to sound naïve by suggesting that you can foolproof an agency within the executive branch from Donald Trump, but could the Biden Administration have done more?

It’s a complicated question. The short answer is, yes, of course there’s more that we could have done. Interior enforcement has always been the red-headed stepchild of the immigration system, and nobody’s wanted to pay that much attention to it when you have what are viewed as bigger problems, like border numbers. No Administration has unlimited energy and people, and so the focus was elsewhere. But I don’t want to put too much blame on anyone here. I don’t think anyone understood the level of aggressiveness that was going to be brought to immigration enforcement in the second Trump Administration. I think a lot of people thought it was going to be very similar to the first term, and it’s been so much bigger and so much more aggressive than anything any of us could have imagined.

We did do things that I was proud of that worked to constrain immigration enforcement. For example, the “sensitive locations” policy that said that there were certain places where you shouldn’t do immigration enforcement, like schools and hospitals, because community safety required that people have access to those locations. Courthouse enforcement is another. We significantly limited immigration enforcement at courthouses because we thought courthouses should be open to the public, and because important business has to get done there and we don’t want to discourage people from showing up. The enforcement priorities were really important. They focussed ICE’s limited resources on the people that most needed enforcement: public-safety threats, national-security threats, and recent border crossers. There was a clear understanding of who the targets were.

How would you describe immigration enforcement in the first Trump term? What’s changed?

I would say that in the first Trump Administration they tried to change the rules, but they were playing by the rules. Here, they’re not playing by the rules anymore.

How so?

In the first term, they would write new regulations. They would go through a long, involved process of changing a policy. They would still engage with the Office for Civil Rights and Civil Liberties when it had recommendations for changes in policy or practice. None of those things are really happening. The Trump Administration is largely just making changes and not going through typical processes, which is supposed to weigh all of the costs and the advantages and disadvantages and come up with a very thoughtful conclusion. Right now, they know what outcome they want, and they’re doing what they need to to get the outcome. ♦



Is Everything Going According to Marco Rubio’s Plan?

2026-01-15 09:06:02

2026-01-15T00:30:00.000Z

The New Yorker staff writer Dexter Filkins joins Tyler Foggatt to discuss Marco Rubio’s reëmergence as one of the most powerful, and most transformed, figures in Donald Trump’s second term. They talk about Rubio’s unlikely ascent to the dual roles of Secretary of State and national-security adviser, his journey from outspoken Trump critic to loyal enforcer, and what that evolution reveals about how power operates inside the Administration. They also examine Rubio’s central role in the U.S. abduction of the Venezuelan President, Nicolás Maduro, the dismantling of the State Department’s foreign-aid infrastructure, and the department’s growing reliance on coercion over diplomacy.

This week’s reading:

Iran’s Regime Is Unsustainable,” by Robin Wright

The Supreme Court Gets Back to Work,” by Amy Davidson Sorkin

What Comes After the Protests,” by Jay Caspian Kang

Tune in to The Political Scene wherever you get your podcasts.



In Two Films About Palestinian Struggle, Time Is of the Essence

2026-01-15 08:06:01

2026-01-14T22:58:50.525Z

“All That’s Left of You,” an absorbing, decades-spanning family drama by the Palestinian American director, screenwriter, and actress Cherien Dabis, begins at speed. Noor (Muhammad Abed Elrahman), a teen-age boy living in the occupied West Bank in 1988, playfully chases a buddy over a rooftop and down a street. Amid much everyday hustle and bustle, goosed by jittery editing, jolting camerawork, and anxious percussion, Noor catches up to his friend just in time for both boys to get sucked into a gathering protest. It’s early on in the first intifada. An Israeli soldier fires a bullet, Noor falls ominously out of frame, and the film abruptly cuts to another time and place, with a closeup of Noor’s mother, Hanan (played by Dabis). “I’m here to tell you who is my son,” she tells us. “But, for you to understand, I must tell you what happened to his grandfather.”

Does your heart sink? Mine did, at first. But although the teasing, in-medias-res prologue may be a bit of a gimmick, Dabis gives it a sly multigenerational twist and a historically charged sense of purpose. “All That’s Left of You” is a three-act drama spanning nearly eight decades in the lives of a family from the coastal city of Jaffa, in what was once Palestine, where Noor’s grandfather Sharif (Adam Bakri) owned a large house and a thriving orange grove. The first act unfolds in 1948, near the start of the Nakba, or “catastrophe,” as Zionist militias forced Palestinians to leave their homes. As explosions rock Jaffa and the family’s idyllic, prosperous way of life crumbles overnight, Sharif sends his wife, Munira (Maria Zreik), and their children to stay with relatives in the West Bank. He remains behind, where, despite efforts to negotiate with Israeli forces, he is apprehended, stripped of his property, and forced into manual labor, before he manages to reunite with his loved ones.

The second act picks up in 1978 and focusses on Sharif’s son Salim (Saleh Bakri), who lives in the West Bank with his wife, Hanan, the woman we saw at the outset, and their kids, including Noor (played as a child by Sanad Alkabareti). Sharif, now an old man (played by Mohammad Bakri), lives with them, his memory addled yet returning obsessively to the loss of his homeland. (A moving touch: Adam and Saleh Bakri are Mohammad Bakri’s sons.) One day, Salim endures abuse from Israeli soldiers and earns the scorn of Noor, who is radicalized both by his grandfather’s trauma and his father’s apparent cowardice. In ten years’ time, the boy will become that fast-running teen-ager in 1988, and the third act will plunge us into the sad aftermath of the protest, confronting Salim and Hanan with both a medical emergency and a moral crisis. The everyday realities of life under the occupation, including the hassles and harassments of bureaucratic delays and security checkpoints, can suddenly become matters of life and death.

This is the first feature that Dabis has directed since “May in the Summer” (2014), an uneven wedding-themed comedy in which she played a Jordanian American bride-to-be. Before that, she made a winning début feature, “Amreeka” (2009), about a Palestinian single mom trying to make a new life for herself and her teen-age son in Illinois. Her new film forgoes cross-cultural humor in favor of an anguished Arab-Israeli history lesson, which stretches from the violent uprootings of 1948 to the eerie calm of 2022, about a year before the attacks of October 7, 2023. (The film itself was originally supposed to be shot in Palestine, but the war in Gaza forced the production to relocate to Greece, Cyprus, and Jordan.)

Dabis’s diagrammatically structured screenplay is built on clear historical parallels and tidy intergenerational contrasts. A young boy adores his father, yet grows up to be despised by his own son. Political rage seems to ebb and flow with each generation. All three major male characters experience Israeli settler violence, the consequences of which are brutal, whether they resist or comply. Dabis embraces the conventions of melodrama with sombre grace. As a director, she orchestrates scenes of separation, discord, and shattering loss with an emotional restraint that’s equally evident in the way she plays the role of Hanan.

Every family may hand down its share of struggles and traumas, but Dabis’s movie suggests that Palestinians living under the yoke of occupation must deal with an especially cruel and binding inheritance. If the story has a principal flaw, it’s that we don’t get enough of a sense of the young man Noor becomes—or of the state of his relationship with his parents—before the events of the third act set in, a deficiency that nonetheless bears out the movie’s point: Noor’s struggles are so closely tied to those of his family that it’s as if he doesn’t even have the luxury of his own fully formed identity. In the end, Salim and Hanan are tasked with some agonizingly significant decisions on their son’s behalf, and “All That’s Left of You” probes those decisions with understated gravity and nuance. The final passages, built around a series of journeys across endlessly contested and coveted terrain, force Salim and Hanan to consider the religious, ethical, medical, and societal implications of a selfless act—and to consider whether that act will, in the unknowable long run, make the world better or worse for the ones they love.

Dabis’s film slipped into U.S. theatres the same week as a more tightly focussed, attention-grabbing tale of Palestinian tragedy, “The Voice of Hind Rajab,” which reduced audiences to tears when it played, last fall, at the Venice International Film Festival and won the Grand Jury Prize there. The movie, which was written and directed by the Tunisian filmmaker Kaouther Ben Hania, is as complete an antithesis to Dabis’s one as could be imagined. “All That’s Left of You” sweeps through generations over nearly two and a half hours; “The Voice of Hind Rajab” is a drama ripped from the headlines that compresses the events of a single day into a taut eighty-nine minutes. The crucial difference between the two films is not just temporal, however, but also formal. Whereas Dabis works in a key of staid, forthright classicism, Ben Hania is bent on shaking up convention, as she did in her previous feature, the metafictional documentary hybrid “Four Daughters” (2023). In her new film, she uses elements of both fiction and nonfiction, and sets them in daring oil-and-water opposition.

The events in question are horrific and well documented. On January 29, 2024, as Israel bombarded Gaza, a five-year-old Palestinian girl, Hind Rajab, was in a car with her aunt, uncle, and four cousins trying to flee their neighborhood in Gaza City. An Israeli tank fired on the vehicle, killing everyone inside except Hind and a teen-age cousin, who survived long enough to speak with a dispatcher, Omar Alqam, at a Palestine Red Crescent Society emergency-call center. Over the next several hours, Alqam and his colleagues remained on the line with Hind and arranged for an ambulance to rescue her—a process that necessitated a long wait to secure the Israeli military’s approval. But after the approval was granted the Army shelled the ambulance as it approached the vehicle. Twelve days later, on February 10, 2024, Hind and her relatives, along with two paramedics, Yousef Zeino and Ahmed al-Madhoun, were all found dead at the scene.

In the months that followed, Hind Rajab’s death ignited protests nationwide, and she has become a powerful symbol of the more than sixty-four thousand Palestinian children who have been killed or injured by Israeli attacks since October, 2023. After Ben Hania heard the story, that February, she leapt into action, and the result, the following year, was “The Voice of Hind Rajab.” The film confines its action almost entirely to the P.R.C.S. call center, where a fictionalized version of Omar (Motaz Malhees) tries to keep young Hind on the line. We see Omar argue repeatedly and furiously with a hardheaded supervisor, Mahdi (Amer Hlehel), who refuses to send the ambulance before completing the requisite coördination—a term wielded with the utmost irony—with the Israeli military. We see Omar work closely with a sympathetic fellow-dispatcher, Rana (Saja Kilani), who tries to calm and comfort the young girl as best she can.

During the call, we do not see the tanks, the fired-upon car, the bodies and bloodstained seats, or the trapped, terrified young girl crying out from within. This is, of course, a mercy. It’s also a self-imposed limitation, and it positions “The Voice of Hind Rajab,” for all the specific extremity of its horror, within the increasingly well-worn movie subgenre of the control-room thriller. Here, acts of mass killing are kept at a strict visual remove, and our attention is focussed on a group of hardworking professionals, desperate to beat the clock and mitigate an impossible situation. This subgenre comes with a built-in high-mindedness, predicated on the assumption that, for a filmmaker trying to dramatize violence without exploiting it, the denial of visual information—and the attendant removal of a perspective—amounts to the purest, most artful, most scrupulous representational tactic. Less is more, the logic goes; best to let the viewer’s alarm and imagination do the rest.

“Fail Safe” (1964) remains perhaps the best, and best-known, example of this subgenre; more recent examples, such as “A House of Dynamite” (2025) and “September 5” (2024), with their self-important shows of verisimilitude, suggest that the concept has begun to calcify into cliché. “The Voice of Hind Rajab,” too, strikes me as a relentlessly harrowing but finally unpersuasive experience, one that doesn’t meet the exacting standard of realism that it imposes upon itself. Ben Hania researched her scenario carefully, interviewing the real-life Alqam and his colleagues. Her film is an honorable attempt to dramatize the everyday agonies and frustrations of Red Crescent workers, to honor their quick thinking and astonishing courage under duress. Too often, though, she resorts to scenes of exposition and clarification—as when Mahdi rebuffs Omar by showing him photographs of all the paramedics they’ve lost—that, whether or not they are drawn from the historical record, seem contrived more for the benefit of our understanding than that of the characters. The workplace dramas intended to animate Hind’s story wind up distracting from it.

I haven’t yet touched on the film’s boldest conceptual gambit—the reason that viewers have left the film so shattered, and also the reason, I suspect, that Ben Hania felt spurred to tell this story to begin with. We do not see Hind Rajab—apart from brief snapshots of her in happier times—but, as the movie explicitly informs us, that is in fact Hind Rajab’s real voice, recorded from her actual call, that we hear. We are not listening to a young actor’s impression; those are Hind’s unfeigned cries and whimpers, her desperate pleas for help. The film wields this voice—used with the permission of Hind’s surviving family—as unimpeachable, unignorable evidence. Here, it says, is archival proof of atrocities that too many people, unwilling to let themselves be troubled by the Palestinian plight, have dismissed as either an exaggerated statistic or a necessary evil.

Cinematic history is filled with examples, some more successful than others, of filmmakers creating dramas based on traumatic real events and interpolating raw documentary material to impart a sense of authenticity. Allan Dwan spliced actual Second World War combat footage into “Sands of Iwo Jima” (1949). Ryan Coogler kicked off his fact-based drama “Fruitvale Station” (2013), about the fatal police shooting of a restrained and unarmed Black man, with cellphone footage from the real-life incident. But Ben Hania is after more than glancing interpolations of the truth; she wants us to sit with Hind Rajab’s voice, to absorb the devastating final moments of her young life. It’s an audacious and worthy impulse—which makes it all the more mystifying that, having decided to make use of such a device, Ben Hania should mishandle the audio so brazenly, by placing it on such direct footing with staged material that, in terms of writing and acting, runs from competent to amateurish.

The idea, I suspect, was to insure that Hind’s story receives as wide and mainstream an airing as possible. But would even the biggest box-office bump justify such roughshod mistreatment of primary material? The result feels like a cavalier stunt—an audio-documentary shrine erected on a wobbly visual-narrative foundation. Reality can be a potent tool, but the priorities of fiction create their own hierarchies. “The Voice of Hind Rajab” ultimately overpowers the voice of Hind Rajab. ♦



Reading for the New Year: Part Three

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To start the New Year, New Yorker writers have been looking back on the last one, sifting through the vast number of books they encountered in 2025 to identify the experiences that stood out. This is the third installment in a series of their recommendations (read the first here, and the second here). Stay tuned for the next one and, in the meantime, should you wish to grow your to-be-read pile further, you can always consult the magazine’s annual list of the year’s best new titles.

The Bachelors

by Muriel Spark

Muriel Spark is best known today for “The Prime of Miss Jean Brodie,” her semi-autobiographical novel of growing up in Edinburgh. (The film based on the book won an Oscar for Maggie Smith in a bob.) But a new sharp biography by Frances Wilson has sent me back to reread some of her twenty or so other novels. Spark excelled in dark humor of a particular British type—apparently presentable people plotting ingeniously malignant crimes (think Roald Dahl)—and combined this with a gift for dry, demimondaine London dialogue in the style of, say, Anthony Powell.

“The Bachelors,” which Spark published in 1960, just before “Prime,” is one of my favorites. The handful or so of not-so-young London men of the title justify their marital status with casual misogyny and the safety of numbers: “These are the figures,” one reads to another from the 1951 Greater London census. “Unmarried males of twenty-one or older: six hundred and fifty nine thousand five hundred.” For them there’s plenty of sex to be had, and the rest of their day is their own. Weekends, however, test their mettle. “Funny how Sunday gets at you,” one comments, “if you aren’t given a lunch.”

This comic slice-of-life set piece jumps its gossamer-light rails when one of the bachelors, a talented clairvoyant—read: skillful fraud—named Patrick Seton, is accused of making off with a widow’s savings. While facing trial, he eyes his diabetic, pregnant girlfriend, Alice, with icy affection. How convenient it would be if she forgot her insulin, perhaps in some secluded rendezvous to which he lured her. Will Seton be convicted or will he escape justice and set off on a vacation with Alice to an isolated home in the Austrian mountains, from which he plans to return, happily, again a bachelor?D. T. Max

After Lives

by Megan Marshall

Like many memorable books, “After Lives,” by the Pulitzer Prize-winning biographer Megan Marshall, is hard to classify. It’s part memoir, part biography, part meditation on what we know and what we can know about ourselves and the lives of others. The book it most closely calls to mind is “Footsteps,” Richard Holmes’s fantastic collection of essays on his journeys as a biographer. But unlike that book, “After Lives” does not try to dazzle you. It does not overwhelm. Its charms are plainer, though no less finely constructed. Marshall’s subjects range widely—there is an essay on her mother’s left-handedness, and another on a classmate who was killed in a shootout, in 1970, after he had taken courtroom hostages in an attempt to free his brother, the author of a Black Power manifesto. There is one on Una Hawthorne, the oldest child of Sophia Peabody and Nathaniel Hawthorne, and one that takes place in Kyoto. What makes this book special is the way it shows how history lives in the present, clinging to the things we leave behind and in the stories we tell about them. Objects—an old writing desk, a painting, an ice pick—become repositories for intimacies. Marshall, who has been a mentor to me, has made this book one such object—a small, interesting thing which will stay with me.Louisa Thomas

Revulsion: Thomas Bernhard in San Salvador

by Horacio Castellanos Moya, translated, from the Spanish, by Lee Klein

In the epilogue to the most recent Spanish-language edition of “El Asco. Thomas Bernhard en San Salvador,” the Salvadoran writer Horacio Castellanos Moya recounts the reaction the novel received upon its publication, in 1997. His mother, he says, received death threats from an enraged reader. One friend’s wife became so furious at the protagonist’s tirade against pupusas, the country’s national dish (“those horrible, greasy tortillas stuffed with pork rinds” that show “these people are dull-witted even in their palate”), that she threw her copy out of her bathroom window. The ferocity of the response sent Castellanos Moya into exile: first to Guatemala, then Mexico and Spain, and finally to the United States, where he lives now.

But the novel—which New Directions published in English in 2016 as “Revulsion”—survived the outrage, to the delight of readers who, like myself, savor an unrestrained rant. It unfolds as a long monologue by a professor, Edgardo Vega, who has returned to San Salvador from Canada, where he has lived for many years, to attend his mother’s funeral. At a bar, he unloads on his interlocutor, who shares the author’s last name, venting about everything he despises about his country. Conceived as an attempt to imitate Bernhard’s famous diatribe against Salzburg, Castellanos Moya admits he wrote his against El Salvador with “the relish of a resentful man at last getting even.”

I felt compelled to reread “El Asco” in 2025. Perhaps it was because the news kept pulling me back to El Salvador. Or perhaps I simply needed a good rant. Who doesn’t right now? A rant so seething it becomes cathartic—exactly the kind of release we all need as one year ends and another begins.Graciela Mochkofsky

Radical Cartography

by William Rankin

For years, the Yale professor Bill Rankin, a friend of mine, has been releasing stunning maps through his website, radicalcartography.net. This winter, I’ve been delighting in his recent treatise, “Radical Cartography.” Is it possible to care too much about colors, layers, boundaries, and projections? Apparently not. (Map projections got prime-time treatment in “The West Wing,” when the characters became enamored of the Africa-enlarging Peters Projection. “PLEASE NO, NOT THE PETERS!” Rankin writes. “Plenty of other maps can make accurate area comparisons with much less distortion!”)

Rankin’s real beef is with conventional cartography, which yields boring maps. “Radical,” for him, means questioning assumptions. The result is a series of mind-scrambling maps—of lightning, kissing, slavery, and the moon. My household ordered copies of Rankin’s book as holiday gifts—for all the avid, nerdy, details-sweating people in our lives.Daniel Immerwahr

Was

by Geoff Ryman

Oz will never be over. The world that L. Frank Baum created in 1900 with “The Wonderful Wizard of Oz” has long exerted a powerful thrall. The great Gore Vidal counted himself among the “most Americans” of his generation who had lost and found themselves in it: “In some mysterious way, I was translating myself to Oz, a place which I was to inhabit for many years while, simultaneously, visiting other fictional worlds as well as maintaining my cover in that dangerous one known as ‘real.’ ” Most Americans today, it’s safe to wager, owe their idea of Oz to the 1939 film adaptation and hunger, it would seem, for darkness as much as dazzle. For those, tired of the candy-floss fare of “Wicked” and its cinematic adaptations, I recommend Geoff Ryman’s 1992 novel.

Ryman’s narrative lands upon lives crossed in some way with Baum’s book, and cares less about upending fantasy than treating it seriously, as a shade of reality most Americans cannot live without—a necessity that, if devastating, often proves less so than the alternative. There is a child whose happy world is shattered when his friends from Oz cannot make the leap into what people around him consider to be reality. There is an elderly woman, Dotty, who spends her days revisiting her Kansas childhood, bleak but for the intervention of a twinkling substitute teacher, and part-time actor, named Mr. Baum. There is a makeup artist whose adolescent charge is the professional little girl who finds true home in the heat of M-G-M lights. “I am a fantasy writer who fell in love with realism,” Ryman writes in the postscript. “It is necessary to distinguish between history and fantasy wherever possible. And then use them against each other.”Lauren Michele Jackson



Daily Cartoon: Wednesday, January 14th

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Two people sit on a couch watching television.
“Is this the series finale of America, or do you think they’ll release another episode?”
Cartoon by Benjamin Slyngstad