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Daily Cartoon: Thursday, November 13th

2025-11-13 23:06:02

2025-11-13T14:54:23.219Z
Inside a home a woman sits at a table and looks at a smartphone in exasperation. A man walks behind her.
“I feel like the movies sold us an idealized version of the end times.”
Cartoon by Emily Flake

Texas’s Water Wars

2025-11-13 20:06:02

2025-11-13T11:00:00.000Z

In 2019, Corpus Christi, Texas’s eighth-largest city, moved forward with plans to build a desalination plant. The facility, which was expected to be completed by 2023, at a cost of a hundred and forty million dollars, would convert seawater into fresh water to be used by the area’s many refineries and chemical plants. The former mayor called it “a pretty significant day in the life of our city.” In anticipation of the plant’s opening, the city committed to provide tens of millions of gallons of water per day to new industrial operations, including a plastics plant co-owned by ExxonMobil and the Saudi Basic Industries Corporation, a lithium refinery for Tesla batteries, and a “specialty chemicals” plant operated by Chemours. The facilities went into operation, but the desalination plant stalled out in the planning process, and its projected costs ballooned to more than a billion dollars. In the meantime, the city suffered through a multiyear drought, and local reservoirs reached alarmingly low levels. Residents were prohibited from watering their lawns or hosing down their cars; industrial operations, largely exempt from drought restrictions, kept drawing the water they had been promised. Officials predicted that Corpus Christi might enter an official water emergency—triggered when water demand is projected to exceed supply within six months—by the end of 2026.

This September, the city council met to vote on whether to proceed with building the desalination plant. The hearing started around noon; by midnight, it was still under way, and three women in the audience, including a former mayoral candidate and a college professor, had been arrested for disorderly conduct. Some opponents of the plan voiced concerns about its costs. Others were worried about environmental ramifications. Desalination results in large amounts of salty sludge that must be disposed of. Dumping it in the nearby bay risks harming the ecosystem and destroying the fragile local fishing industry; injecting it underground risks causing small earthquakes. Supporters argued that, without the desalination plant, the local economy would collapse. Around 1 A.M., the council elected to pull funding for the project; where, exactly, Corpus Christi’s water will come from is currently an open question. One possibility is groundwater pumped from nearby rural areas; another is relying on a private-equity firm that provides “water-as-a-service” to struggling municipalities, essentially by building its own treatment infrastructure and leasing the water to the local utility. But those plans, too, have met with local resistance.

Texas’s economy has boomed for so long that it would be easy to imagine that the growth might go on forever. But, across the state, residents are being confronted with the alarming reality of limited water supplies. According to the state government’s 2022 Texas Water Plan, by 2070, the population is projected to increase by more than seventy per cent as water supplies decline by nearly eighteen per cent. The impact of dwindling water is already being felt. In Houston’s suburbs, homeowners struggle with flooding basements and cracked foundations—consequences of subsidence, or land sinkage caused by groundwater depletion. (Houston has by far the highest subsidence rate in the country, according to a recent study, although Dallas is also sinking at an alarming rate.) In the Hill Country, subdivisions swell while nearby swimming holes dry up. In the Rio Grande Valley, scarce water prompted the state’s last sugar mill to close last year; on the outskirts of El Paso, cotton farmers are fallowing their fields. The last time that Texas was in the news for its water, it was on account of the heavy rains this summer that killed more than a hundred people, including dozens of young girls at a summer camp. But flooding and drought can, and increasingly do, coexist in Texas. “Those major floods on the Guadalupe River—that looks like a freak storm in the middle of a massive drought, and now we’re right back in it again with historically low inflows to the reservoirs,” Robert Mace, the Executive Director for the Meadows Center for Water and the Environment, at Texas State University, said. “We keep beating records that you don’t want to beat.” Meanwhile, the state continues to woo thirsty industries: OpenAI’s flagship data center, projected to be among the biggest in the world, is now expanding outside Abilene. Texas increasingly resembles its more arid neighbors to the west, where, as an expert once told me of Arizona, all the easy water is gone.

Charles Perry, a Republican state senator from Lubbock and the legislature’s leading water expert, believes that the ominous 2022 projections are too optimistic; he has said that Texas may face an annual water deficit of up to twelve million acre-feet by 2050. (The municipal supply used by the entire state in 2023 was a bit more than five million acre-feet.) “This is the only thing that we’re not addressing that is going to be the limiting cap on the Texas that we know and love today,” Perry said at a Water for Texas conference earlier this year. “The time has arrived. We can’t go any longer without somebody saying something.”

Part of the problem is the state’s antiquated approach to water policy. Texas follows the rule of capture, also known as absolute ownership, which allows landowners to draw as much water from below their property as they’d like, even if this has a negative impact on neighboring properties. Critics argue that the rule of capture incentivizes over-pumping, and note that every other Western state has jettisoned the rule, instead opting for an approach that mandates “reasonable use.” In Texas, where private property is regarded as sacrosanct, it’s been harder to get lawmakers to move beyond absolute ownership. But it’s misleading to equate the rule of capture with private property, according to Robert Glennon, an emeritus professor at the University of Arizona’s College of Law and the author of “Water Follies: Groundwater Pumping and the Fate of America’s Fresh Waters.” “Property owners in Texas can’t prevent someone next door with a bigger pump and a deeper well from sucking groundwater from underneath their property,” Glennon told me. “Instead of a private-property right, absolute ownership is more of a circular firing squad.”

The rule of capture, once an obscure provision of Texas law, is now on more people’s radar after a fight over water rights in East Texas went public earlier this year. “This is the No. 1 topic, the one thing that everybody cares about the most here,” Cody Harris, a Republican state legislator who represents the area, told me. “Usually, it’s property taxes, border security, education, things like that. But right now, and for the last few months, it’s been nothing but water.” The issue came to the forefront when Kyle Bass, a hedge-fund manager who cemented his reputation by betting against the subprime-mortgage boom, in 2008, announced plans to intervene in the looming water crisis. Like Perry, he believed that the worrying projections in the 2022 Water Plan weren’t ominous enough. “Whether it’s a blessing or a curse, I can identify significant problems before they happen,” Bass told the Houston Chronicle. A proponent of what he calls “conservation equity management”—that is, increasing property values through environmental stewardship—Bass applied for permits that would allow him to drill dozens of high-capacity wells on his East Texas ranch. The idea was to pull up to nearly forty-nine thousand acre-feet of water from the wettest part of the state and sell it to the fast-growing Dallas suburbs. Although such a plan is perfectly acceptable under the rule of capture, and similar projects are already under way elsewhere in the state, East Texans bristled at the idea. (The Texas Water Development Board has concluded that the permits would allow Bass to withdraw more groundwater than is available in the area, but Bass has said that such an interpretation of his permits is misleading, and that it would be “silly” to take more water than the aquifer could sustain.)

When Bass’s application came before the board of the Neches & Trinity Valleys Groundwater Conservation District, hundreds of people showed up to the meeting. (In Texas, water boards can approve well-drilling permits, but have a limited ability to adopt pumping caps.) Bass was there, too. When it was his turn to speak, he struck a folksy tone. “I wear boots every day. I wear jeans every day. And I spend about all my time out here in Henderson County,” he told the crowd. “The state of Texas’s main problems are power and water,” and he was hoping to address the issue by “doing things that are responsible by law and by science.” He was followed by dozens of residents, most of whom spoke in opposition to his plans. (Bass would later call the crowd “woefully uninformed and uneducated on the subject” and “obviously very emotive.”) A gray-haired man in a checked shirt who said that he could trace his ancestry back to early Texas settlers called the area’s water “an inheritance for me and my family.” “Amen!” a woman in the crowd shouted. “The aquifer . . . it’s not going to be able to keep up with demand and it’s going to hurt people. It’s going to kill people,” the man went on. (A judge recently halted Bass’s well-drilling project, which is facing a lawsuit from local businesses. Bass has responded by suing to reinstate the project.) The furor was heated enough that it seemed briefly as if the legislature might finally reconsider the rule of capture. Harris has said that he plans to challenge the policy the next time lawmakers meet. “It’s the first time in my career where discussions have been at this serious level, about considering changing rule of capture,” Mace, of the Meadows Center, told me. “I’ve got my bowl of popcorn, and I’ll be watching very closely to see what happens.”

In some ways, the past year in Texas has looked like a preview of what future water wars could bring: agriculture pitted against industry pitted against municipalities; the wetter parts of the states fighting to protect “their” water from thirsty and fast-growing cities. As resources continue to dwindle, experts worry that if water conservation comes to be seen as partisan, taking meaningful collective action will be even more challenging. If there’s a silver lining, it’s that Texans are increasingly acknowledging the looming water crisis—and that, at least so far, their willingness to do so transcends ideological divides. Earlier this year, Perry persuaded his colleagues in the Republican-dominated legislature to allocate twenty billion dollars of sales-tax revenue for water infrastructure—desalination plants, underground storage, repairs for leaky pipes—in the next two decades. Although some far-right groups have opposed the plan, on the ground that these funds could instead be used to cut taxes, it has support from most high-level Republicans in the state, as well as from environmental groups. Harris, who sponsored the bill, said that the reason the legislature was able to overwhelmingly support the bill—“across the aisle, across the geographic regions”—was because people are coming to understand that finite groundwater supplies are interconnected, and that draining an aquifer in East Texas could affect the drinking water in Houston. “We’re trying to get everyone to see the big picture,” he said.

Last week, Texans overwhelmingly approved a constitutional amendment, the final step in securing the funding stream. “I think that, deep down, the vast majority of Texans understand how important water is,” Mace said. ♦



Preliminary Sketches for the White House Renovation

2025-11-13 20:06:02

2025-11-13T11:00:00.000Z

The East Wing of the White House is being demolished to make way for the greatest ballroom in the history of the world. For practical reasons, this portion of 1600 Pennsylvania Avenue will be given a new name.

Building plan aerial view of the White House.

The ballroom ceiling will feature a Sistine Chapel-inspired fresco, depicting traditional American heroes.

Sistine Chapelinspired fresco of President Trump and the QAnon Shaman.

Visitors will enter the ballroom through a gold-plated Arc de Triomphe on the building’s south side. The “T” stands for Truth.

Tshaped Arc de Triomphe.

The gardens and grounds surrounding the building will be ripped up and transformed into a Presidential golf course, though the thriving Hedge Maze of Bureaucracy will be spared . . .

A hedge maze of beauracracy.

As will Melania’s beloved Garden of Thorns.

Garden of thorns with a gazebo shaped like Melania's hat.

Renovations will extend to the press briefing room, in which F.D.R.’s swimming pool will be restored to liven up interactions with journalists.

The press briefing room with a sharkfilled swimming pool.

The China Room will be renamed the Gratitude Room, and repurposed to store tasteful gifts from the nation’s corporate donors.

Room filed with shelves of tasteful gifts.

The executive wing will be undergoing minor adjustments in response to unanimous staff feedback.

Floor plan for the White House.

The restoration plans also include a new carpet design . . .

Hallway in White House with carpet like the one in The Shining.

And an experimental HVAC system.

Gas pipes.

As for the Presidential Emergency Operations Center, we’re replacing its ugly concrete walls with a more classical, transparent design—enough with brutalism!

A wallless operations room.

In the unlikely event of a total structural collapse of the White House, the U.S. government will relocate its headquarters to Mar-a-Lago until further notice.

A collapsed White House.

The Dream of Finishing One’s To-Do List in “Retirement Plan”

2025-11-13 20:06:01

2025-11-13T11:00:00.000Z

Watch “Retirement Plan.”

Watch the Irish director John Kelly’s “Retirement Plan” and, if you are in any way creative or ambitious, you’ll kick yourself wondering, Why didn’t I think of that? Because it’s so simple: a list of things a man named Ray hopes to do after he quits working. The animation is just as straightforward as the premise, the figures closer to Martin Handford’s Waldo—of “Where’s Waldo?” fame—than to anything Pixar’s turned out. The character’s eyes are dots, or light reflecting off glasses, and the script is mostly presented in a voice-over by the actor Domhnall Gleeson. The music is as ostensibly uncomplicated as everything else—chords on a piano, a spare, almost mournful song called “Walking Through a House Where a Family Has Lived,” by John Carroll Kirby. And the movie is short—just under seven minutes. Kelly relates the story of Ray’s life by telling us not what he’s accomplished but what he hasn’t: written poetry, meditated, microdosed, hiked.

It makes one ponder one’s own life. I used to think I would retire and enjoy a purposeful final act, but then I bought a second apartment in my Upper East Side co-op, meaning I now have two outrageous maintenance fees to pay, meaning I can never, ever stop working. Like Ray in the movie, I had such big plans. First on my list was mastering German. Now I’ll have to settle with what I already know. This includes the phrase “I am old and have many ghosts,” which, honestly, might be all I’ll need at age ninety-two.

At the start of the movie, Ray looks to be on the young side of old, early to mid-sixties, and plump. Halfway through, he’s spindly, with a few more simple lines drawn on his cheeks. Then he’s stooped over and we think, No, wait! It’s done with such grace, charm, and humor that the end sneaks up on us, just as it will, I suspect, when those who can afford it are making retirement plans of their own.

The Guilty Pleasure of the Heist

2025-11-13 20:06:01

2025-11-13T11:00:00.000Z

Download a transcript.

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On October 19th, a group of masked men broke into the Louvre in broad daylight and made off with some of France’s crown jewels. Suspects are now in custody, but the online fervor is still going strong. On this episode of Critics at Large, Vinson Cunningham, Naomi Fry, and Alexandra Schwartz discuss the sordid satisfaction of watching a heist play out, both onscreen and off. They dive into the debacle at the Louvre, along with a range of fictional depictions, from the fantasy of hyper-competence in “Ocean’s Eleven” to the theft that goes woefully awry in Kelly Reichardt’s new film, “The Mastermind.” Part of the fun, it seems, lies in rooting for those who identify and exploit the blind spots of an institution. “Someone else, just like me, is seeing that everybody is an idiot. But, unlike me, they’re able to best those people in charge,” Fry says. “It’s an alternative morality—a morality of wits.”

Read, watch, and listen with the critics:

“The Mastermind” (2025)
“Ocean’s Eleven” (2001)
Stella Webb’s impression of “the Louvre heist Creative Director”
Jake Schroeder’s “Ballad for the Louvre
Showing Up” (2022)
“The Italian Job” (1969)
“How to Beat the High Cost of Living” (1980)
“Drive” (2011)
Le Cercle Rouge” (1970)
“This Is a Robbery: The World’s Biggest Art Heist” (2021)
Good Time” (2017)
George Santos and the Art of the Scam” (The New Yorker)

New episodes drop every Thursday. Follow Critics at Large wherever you get your podcasts.

How Zohran Mamdani Won, and What Comes Next

2025-11-13 10:06:02

2025-11-13T01:00:00.000Z

The New Yorker staff writer Eric Lach joins Tyler Foggatt to discuss Zohran Mamdani’s victory in the New York City mayoral race, and what his time in office might look like. They talk about some of his early appointments to his administration and how his ambitious agenda may be at odds with other wings of the Democratic Party. They also look at how members of both parties are interpreting Mamdani’s win, and how the new mayor might respond to President Donald Trump’s threats to withhold federal funds from the city.

This week’s reading:

The Mamdani Era Begins,” by Eric Lach

Did Democrats Win the Shutdown After All?,” by Jon Allsop

Laura Loomer’s Endless Payback,” by Antonia Hitchens

In Gaza, Home Is Just a Memory,” by Mohammed R. Mhawish

The Mess at the BBC Will Never End,” by Sam Knight

Tune in to The Political Scene wherever you get your podcasts.