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The New Yorker writer and Pulitzer Prize-winning reporter Charles Duhigg joins Tyler Foggatt to discuss why Republicans have been more successful than Democrats at building durable political coalitions. They talk about the difference between short-term mobilization and long-term organizing, why large-scale protests often fail to translate into lasting power, and how conservative groups have quietly built local infrastructure that may sustain the MAGA movement beyond Donald Trump’s Presidency. They also examine how the left’s efforts are impeded by debates over ideological purity, and whether a renewed focus on community-based organizing and pragmatic coalition-building could reshape progressive politics in the coming years.

This week’s reading:

“What MAGA Can Teach Democrats About Organizing—and Infighting,” by Charles Duhigg

“Witnessing Another Public Killing in Minneapolis,” by Vinson Cunningham

“Do Federal Officials Really Have ‘Absolute Immunity’?,” by Isaac Chotiner

“The Battle for Minneapolis,” by Emily Witt

“The Cruel Conditions of ICE’s Mojave Desert Detention Center,” by Oren Peleg

Tune in to The Political Scene wherever you get your podcasts.

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For the cover of the February 9, 2026, issue, the artist Till Lauer evokes the recent killings of civilians by ICE agents in Minneapolis, where thousands have gathered in the streets to protest and grieve. “I personally care about the right to protest far more than about the right to bear arms,” Lauer said. “However, recent events show that we no longer can take any American liberty for granted—neither the First Amendment nor the Second.”

For more covers about politics, see below:

“Blowhard,” by David Plunkert

“Say Their Names,” by Kadir Nelson

“Back to the Future,” by Barry Blitt

Find Till Lauer’s covers, cartoons, and more at the Condé Nast Store.

The English writer Oliver Burkeman’s “Meditations for Mortals” introduces itself as a kind of handbook on how to cultivate more joy by acknowledging that “you’re never going to sort your life out.” Like his New York Times best-selling “Four Thousand Weeks,” “Meditations” aims to help readers who feel overwhelmed by the self-perpetuating demands of modern times—the growing lists of e-mails to address, books to read, places to go, and projects of self-improvement to begin—by accepting that life is finite and that so, too, is what we can do in it. Indeed, accepting its finitude is a crucial step toward sanity, freedom, and happiness. Not long ago, Burkeman spoke to us about a few books that have inspired him. His remarks have been edited and condensed.

Resonance: A Sociology of Our Relationship to the World

by Hartmut Rosa

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To summarize, this book is about the idea that what’s at the core of a good life, a flourishing human existence, is something that Rosa calls “resonance.” “Resonance” is just some kind of vibration or harmonization between the individual and the rest of the world. You could use lots of other metaphors, but it’s basically about being “in tune” in a certain way. And, crucially, it’s a kind of relationship to the world that involves quite a lot less control over events than we tend to think that we want, or than states and governments and bureaucracies and social institutions often to try to achieve.

Rosa points out that the whole movement of modern civilization has been toward more control over the world, and he contends that the reason modern life feels dead and empty for so many of us is because, actually, we need more non-control than modern life allows. The book is absolutely full of quite mundane examples where you’re just, like, “Oh, yes, that is exactly right!” For example, he writes that what makes the first snowfall of winter magical is the fact that you didn’t know when it was going to happen. You don’t know how long it’s going to last, and it might throw off your plans. If the first snowfall was predictable, then it would lose its enchanting quality. Today, we’re always trying to expand our reach over the world, to master it—but perhaps we don’t need to.

Psychoanalysis: The Impossible Profession

by Janet Malcolm

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This is an extraordinary book that follows the professional lives of various psychoanalysts in New York City at the turn of the nineteen-eighties. It’s a brilliant account of how ideas are expressed in life, and, also, Malcolm’s prose is just the height of what I think nonfiction ought to aspire to. Her style isn’t flowery or elaborate, but it has a quality of precise observation that immediately draws you in.

Malcolm’s subjects are very old-school, doctrinaire, rigid Freudian psychoanalysts who get involved in impossibly obscure academic debates. At the same time, they gossip and backstab and engage in feuds with each other—all these activities which really lend themselves to Freudian readings. I think there’s an awful lot to psychoanalysis, and Malcolm’s book is a funny kind of endorsement of the ideas, because, actually, they are sort of lived out in the way that these people work.

Ultimately, though, I think what I really like about this book is that it has a specific kind of humor that is not contemptuous. It’s not an exercise in debunking these people but it finds comedy in the situation. You feel real relish in Malcolm examining the ways in which these psychoanalysts—who, on some level, consider themselves to be in possession of the secrets of human existence—are just as completely messed up and disastrous as the rest of us.

Finding Meaning in the Second Half of Life

by James Hollis

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This book is by a Jungian psychotherapist, and it was really my introduction to Jungian psychology, which has come to mean a lot to me. Hollis is also the only one of the authors I’m discussing whom I’ve had the privilege to know. He’s in his mid-eighties, but he’s still going strong—certainly he’s more productive as a writer than I am.

On some level, this is a self-help book about midlife crises. It draws on mythology and poetry and literature, but at the same time it’s also very down-to-earth. The Jungian idea of the midlife crisis isn’t the cliché of this period where you buy a sports car or start an extramarital affair. Rather, it’s an inflection point, where certain ways of being in the world that might have served you very well in your young adulthood stop working, or are just no longer appropriate for the stage you’re in, and you need to find a new orientation to the world.

One reason that Hollis’s exploration of this “middle” space spoke to me is because of how he refuses to offer any easy work-arounds. It’s really “The only way out is through”-type material. But what he shows well—and I think this is a very Jungian thought—is that it’s all right for confronting this period of your life to not be pleasurable. It might not even be a path toward greater happiness, but it’s necessary for you to face these moments, to take them seriously and stop avoiding them. I think, somewhere in the book, Hollis talks about one arguable goal of psychotherapy being not to just fix your problems or deliver you from suffering but to make your life more interesting to you.

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Photograph by Elizabeth Haynes

April Bernard joins Kevin Young to read “A Worldly Country,” by John Ashbery, and her own poem “Beagle or Something.” Bernard is the author of two novels and six poetry collections—including “Blackbird Bye Bye,” which won the Walt Whitman Award from the Academy of American Poets, and “The World Behind the World,” which was published in 2023. She’s a professor of English and creative writing at Skidmore College, in Saratoga Springs, New York.