2026-03-05 01:28:39
NeoFinder is a macOS app that catalogs disks and media, creating a searchable database of your files no matter where they live: internal drives, external drives, NAS volumes, shared network drives, removable media (CDs, DVDs, USB drives), and even inside archives.
The real magic is its ability to search offline drives; drives that aren’t currently mounted. NeoFinder does this by maintaining an inventory of file names, folder structures, and a surprisingly deep set of metadata. It can even generate thumbnails and previews for many media types, so you can visually identify files without connecting the original drive.
For anyone with a long digital history spread across multiple devices and storage formats, that capability alone makes NeoFinder worth paying attention to.
I’m exactly the kind of user NeoFinder was built for.
My photo library is huge and messy. My music collection goes back to the Napster era and includes everything from original Carter Family recordings to spoken-word tracks from Gil Scott-Herron. My movie and TV collection is a mix of rips, downloads, digital purchases, and the occasional file that mysteriously “fell off a truck.”
My ebook library alone contains more than 18,000 titles in twelve different formats.
NeoFinder helps bring order to that chaos.
It can identify duplicates, normalize metadata, and organize photos using standardized metadata fields including geotagging. Finding photos from past trips or events becomes dramatically easier. We photograph a lot of ultramarathon events, and locating images from an obscure mountain race in 2018 used to be a real chore.
NeoFinder’s filtering tools also help with technical housekeeping. For example, you can identify videos using outdated codecs, unusual bitrates, or missing subtitle tracks. That makes it easier to modernize large collections over time.
Even ebook organization becomes simpler; building subject-specific libraries or collections for particular people takes minutes instead of hours.
2026-03-04 17:22:49
"War Pigs" by Black Sabbath
A song that you discovered in an unusual way
When i was in basic training in 1983, I was assigned to clean our drill sergeants' office. One day I found a hand written sheet crumpled and thrown away. Being the nosy private that i was, I stuck it in my pocket to show the guys in my squad. We discovered that it contained the lines
Generals gathered in their masses<BR>
Just like witches at black masses<BR>
Evil minds that plot destruction<BR>
Sorcerer of death's construction<BR>
In the fields, the bodies burning<BR>
As the war machine keeps turning<BR>
Death and hatred to mankind<BR>
Poisoning their brainwashed minds<BR>
Oh, Lord, yeah<BR>
We started freaking out that we were being trained by obvious satanists. It was the 80s, after all. Finally someone realized that it wlack Sabbath song and we all calmed the fuck down.
2026-03-04 01:44:22
Every text expansion app promises the same core trick: type a short trigger; get a longer block of text. What actually matters is reliability, friction, and whether the app helps you build real workflows instead of just automating ⌘V.
Rocket Typist is a one-time purchase Mac text expander from Witt Software. It focuses on dynamic snippets built with simple macros, all managed from a centralized library that lets you preview exactly what will be inserted before you commit.
It’s normally $19.99 for the Pro version; it’s currently on sale at BundleHunt for $3.50. It’s also available through Setapp, although some users report bugs in the Setapp version that don’t appear in the standalone release.
The Mac text expansion space is crowded: TextExpander, Espanso, aText, PhraseExpress, and even Raycast Snippets all compete here. Rocket Typist positions itself as a middle ground: more capable than lightweight snippet tools; less complex and less enterprise-heavy than the big subscription platforms.
I’ve used text expanders for years, and the real value shows up in boring, repetitive work:
Rocket Typist treats snippets less like a warehouse of static text and more like reusable building blocks. That distinction matters once your library grows past a couple dozen entries.
Macros Are the Real Feature
Rocket Typist’s dynamic elements are called macros. These let snippets adapt at insertion time instead of being fixed text.
From the developer:
“Use macros to add dynamic elements to your snippets… The Labeled Macros Hub provides you a central location to edit and apply macros consistently across multiple snippets… preview your snippets, complete with all macros applied, before inserting them.”
Marketing language aside, three things matter in practice:
That preview feature is underrated. When you’re inserting variable content into a live email or ticketing system, being able to confirm the output before it hits the page prevents sloppy mistakes.
How It Works in Real Workflows
Static snippets are useful. Macros turn snippets into a lightweight automation layer.
Concrete examples:
Rocket Typist’s macro library also supports batch editing. If you need to update a common element across multiple snippets, you don’t have to touch each one manually.
Compared to Espanso or PhraseExpress, Rocket Typist feels less like you’re configuring a YAML-driven mini-programming environment and more like you’re using a Mac app. For many users, that’s a feature, not a limitation.
Rocket Typist makes the most sense for solo Mac users. It’s not trying to be an enterprise collaboration platform.
You can create consistent document layouts with dynamic fields for titles, dates, categories, or boilerplate disclosures. It’s especially useful if you publish frequently and want structural consistency without copying old files.
In my tech support days, snippets handled:
Macros let you personalize these without rewriting them from scratch.
Raycast Snippets are convenient but intentionally minimal. Rocket Typist offers:
If you’ve hit the ceiling with basic snippet tools but don’t want a subscription platform, this is where Rocket Typist fits.
Rocket Typist vs. the Competition
Powerful, cross-platform, highly customizable. Also more complex to set up and maintain. Great for tinkerers; heavier lift for everyone else.
Strong team features, snippet sharing, and administrative controls. Subscription pricing reflects its enterprise focus.
If it already works for you, there’s no urgent reason to switch. Rocket Typist offers a more modern interface and stronger macro tooling at a low one-time cost.
Feature-rich and powerful; also more configuration-heavy. Rocket Typist feels simpler and more Mac-native.
Excellent for lightweight expansions inside an already great launcher. Limited dynamic logic and no centralized macro h
Pricing and Versions
Rocket Typist’s pricing could be clearer. The website describes the upgrade in vague terms:
“Rocket Typist is free to use with a basic feature set. Upgrade to Rocket Typist Pro for the full experience.”
You shouldn’t have to install an app to understand the feature split.
Rocket Typist Pro (as described in-app)
Upgrading unlocks:
Unlimited snippets plus full macro support is the real value here.
If you’re considering it, the BundleHunt price significantly lowers the barrier to trying it seriously.
Final Thoughts
Rocket Typist isn’t trying to dominate the enterprise. It’s not trying to turn snippet management into a side hobby. It’s a practical tool for people who type the same structured content over and over and want dynamic flexibility without a subscription.
If you live in email, ticketing systems, documentation tools, or Markdown editors, and you care about consistency and speed, Rocket Typist earns a serious look
2026-03-03 06:02:16
Typora is a long-established Mac Markdown editor that renders as you type; no dual-pane preview, no “toggle to see what it really looks like” mode. It’s especially strong with tables and code blocks. If you write with math, it’s one of the cleanest LaTeX experiences on macOS. Mermaid diagrams are also straightforward.
It doesn’t try to be everything. It’s not a platform. It’s not a note system It’s not an IDE. It’s a text editor for creating production ready documents.
Typora is a Markdown editor built around a single-pane, live-rendered approach. You write Markdown You see the formatted document as you go.
In practice, it feels closer to a word processor than most Markdown editors, but your files stay portable. Typora also exports to a wide range of formats (including HTML, DOCX, PDF, and ePub); if your workflow ends in a CMS, a PDF, or an ebook, that matters.
Most Markdown apps push people toward two extremes:
Typora sits between those two. It gives you a calm writing surface, but it also handles publishing-oriented Markdown without drama: headings, lists, code blocks, tables, images, and exports.
If you bounced off “note system” complexity but still want more than plain-text minimalism, Typora is the middle ground.
Typora isn’t trying to compete with a PKM ecosystem or a full writing suite. It’s trying to be the editor you open when you want to write.
A Mature Editor that Stays out of Your Way Typora feels like software that knows what it is. The interface stays quiet; the feature set stays focused. You can move from outline to draft to polish without living in sidebars, plugin browsers, or “workspace” metaphors.
Live Rendering Reduces Formatting Mistakes For review writing, quality comes from structure. Typora makes it obvious while you’re still drafting whether the post will scan:
It Works Well with Markdown as a Source Format If you care about plain files, Typora fits the “future-proof drafts” mindset. You keep Markdown portability without forcing yourself into a spartan writing experience.
It Is Not a Note System If you expect backlinks, daily notes, tasks, or a full “second brain,” Typora isn’t built for that. It’s a document editor.
The real question isn’t “can Typora export?”. It's whether it works with the tools in your workflow.
Typora can export HTML, but paste behavior varies by web editor. Some preserve semantic HTML. Some strip styles; some mangle lists and code blocks. If export matters, test it like you actually publish:
Latest update highlights — The last major update (September 2025) brought macOS 26 Tahoe compliance and enabled the Share Sheet on all supported systems.
Privacy — Typora is primarily local; your content stays on disk unless you put it in a synced folder. Privacy is mostly determined by your sync choice; not the editor.
System Requirements — Optimized for Apple Silicon and supports macOS v11 and up.
Price — 14.99 for a three seat license. (No subscriptions)
Download — Direct from typora.io.
Typora is worth revisiting because it stays focused. It’s stable, writes clean Markdown, and helps you ship well-structured posts without turning writing into an app-management hobby.
2026-03-02 19:48:01
Veteran Mac developer Amy Worrall of Double and Thrice Ltd. recently released Octavo, a focused macOS app for booklet printing and imposition.
If you’ve never dealt with imposition, here’s the short version: it’s the process of arranging individual pages on a larger sheet so that, once printed, folded, cut, and bound, everything lands in the correct order. When you see a press sheet with page 1 next to page 16 and page 2 upside down on the reverse, that’s not chaos. That’s math doing its job.
Historically, tools that handle this well have been aimed at print professionals and priced accordingly, often in the several-hundred-dollar range. Octavo does the same core job for $25. It’s available on the Mac App Store.
You can test it for free. The trial version watermarks output with Octavo branding, so it’s fine for evaluation but not for production runs.
Octavo occupies similar territory to Create Booklet 2, but the experience feels more modern and hands-on.
The multi-pane, task-based interface keeps the workflow linear and visible. You can visually drag margins instead of typing numeric values and guessing. There’s also a source cleanup step before layout, which is especially useful if you’re working from imperfect scans or PDFs that need minor correction before printing.
Compared to something like InDesign, Octavo is refreshingly direct. You’re not jumping to a separate properties panel filled with abstract numeric fields that feel disconnected from the page. You’re also not importing content into a full layout suite just to produce a folded booklet.
This is not a layout engine for designing the book. It’s a tool for correctly imposing a finished PDF so you can print and bind it without gymnastics.
If you’re wondering whether this will work with a consumer-grade printer, the answer is yes.
Octavo doesn’t require a PostScript device or specialty hardware. If macOS can print to it, Octavo can use it. The app relies on standard macOS printing APIs; it reads available paper sizes, margins, and printer capabilities from the system. It can also control relevant print settings such as duplex edge binding where appropriate.
It does not talk directly to the printer firmware. That’s a good thing. It means you’re working within Apple’s printing stack rather than some proprietary workaround.
In practice, that includes:
If it shows up in your macOS print dialog, it’s fair game.
Octavo feels like a traditional Mac app in the best sense. It’s focused, single-purpose, and built for desktop workflows rather than a cross-platform abstraction layer. There’s no subscription pitch and no unnecessary feature creep.
Even the icon shows care. Worrall built it in Fusion 360, textured and rendered it in Blender, then finished it in Photoshop. That attention to detail tracks with the rest of the app.
If you:
Octavo is a practical tool that removes friction from a very specific workflow.
If you’re laying out a 200-page art book with complex typography and bleed control, you’re still living in InDesign or Affinity Publisher. Octavo is for the step after layout, when you need the pages imposed correctly and printed cleanly.
For $25, that’s a niche tool that earns its keep quickly if you actually print booklets.
2026-03-02 18:15:17
"The Foggy Dew" by Sinéad O’Connor & The Chieftains,
A song that reminds you of one of your favorite places.
Oh, Ireland. This performance of maybe the greatest of all Irish rebel songs always gives me chills. It's the story of the 1916 Easter Rising in Dublin.
