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62 Modern Tree Houses Climb to Architectural Heights

2025-11-01 02:59:15

62 Modern Tree Houses Climb to Architectural Heights

The arboreal designs featured in TASCHEN’s new book aren’t your dad’s Home Depot box variety. Uniquely stunning, all 62 structures in Modern Tree Houses respond to the surrounding environment, whether a tiny, winterized pod for escaping the snow or a split-level playground complete with climbing ropes and nests. Built by architects and amateurs alike, each dwelling is varied in material, layout, purpose, and aesthetic, although all thrive because of their proximity to nature’s beauty.

“Modern tree houses are proof that happiness doesn’t have to be built big—just built right,” author Florian Siebeck says, presenting an array of spaces from luxurious escapes to children’s hideouts. Pre-order your copy in the Colossal Shop.

an aerial view of a modern treehouse in a forest
Atelier Design Continuum, “Tree Houses in Qiyun Mountain UFO,” Qiyun Mountain, China (2022). Image © Zhu Ziye 
a modern treehouse made of clustered houses in a forest
BIG – Bjarke IngelsGroup, “Biosphere,” Harads, Sweden (2022). Image © Matts Engfors 
a red modern treehouse in a snow-covered forest
Tree Tents International, “Tree Tent,” U.K. and Sweden (2016). Image © Viggo Lundgerg
a book spread from Modern Tree Houses
an aerial view of a modern treehouse in a forest
Studio Precht, “Bert,” Turnau, Austria (2021). Image © Tom Klocker
a modern treehouse in a forest
Takashi Kobayashi & Treehouse Creations, “Kusu Kusu Tree House” (2014), Atami, Shizuoka, Japan. Image © Nacasa & Partners Inc. 
a book spread from Modern Tree Houses
a modern treehouse in a forest
Studio MEMM, “Leaf House,” Monte Verde, Brazil (2022). Image © Nelson Kon
a modern treehouse in the forest overlooking a lake
Helen & Hard, “Woodnest,” Odda, Norway, (2020/2023). Image © Sindre Ellingsen
the cover of modern tree houses

Do stories and artists like this matter to you? Become a Colossal Member today and support independent arts publishing for as little as $7 per month. The article 62 Modern Tree Houses Climb to Architectural Heights appeared first on Colossal.

Close-Up Photographer of the Year Celebrates Minuscule Marvels and Delicate Details

2025-10-31 22:53:35

Close-Up Photographer of the Year Celebrates Minuscule Marvels and Delicate Details

The shortlist for this year’s Close-Up Photographer of the Year competition has arrived. After deliberating for a total of 20 hours on Zoom, 22 judges evaluated a record-breaking 12,557 photographs and consolidated its most promising contenders. Capturing the diversity of wildlife and nature landscapes across 11 unique categories, each photo highlights stunning close-up, micro, and macro perspectives.

CUPOTY’s Top 100 photos are yet to be selected from this collection in January 2026. Find the entire shortlist on the contest’s website, and in the meantime, follow Instagram for updates. Can’t get enough of these extreme close-ups? Immerse yourself in images from past cycles of the contest.

a photo by Guillaume Correa-Pimpao of a green frog sitting on a leaf
Guillaume Correa-Pimpao, “Guided by the Whistles.”
Glenys Steegh, “Xanthocnemis zealandica”
a photo by Dvir Barkay of two wet sloths holding each other close, one a mother and the other her child
Dvir Barkay, “In Mother’s Arms”
a close up photo by Jason McCombe of a Lichen Mantis
Jason McCombe, “Lichen Mantis”
a photo by Jan Pokluda of a dead blue insect being devoured by a mass of ants
Jan Pokluda, “The Beauty of Natural Cycles”
A Grey-headed Flying-fox (Pteropus poliocephalus) makes a high-speed belly-dip in a pool of water.
Douglas Gimesy, “Splash.”
a photo by Frensis Kuijer of a small groundsquirrel next to a dandelion puffball
Frensis Kuijer, “Flowered”
Minghui Yuan, “Home on the Leaves”

Do stories and artists like this matter to you? Become a Colossal Member today and support independent arts publishing for as little as $7 per month. The article Close-Up Photographer of the Year Celebrates Minuscule Marvels and Delicate Details appeared first on Colossal.

Vibrant Beaded Compositions by Renée Condo Convey the Mi’gmaq Spirit of Empathy

2025-10-31 05:21:18

Vibrant Beaded Compositions by Renée Condo Convey the Mi’gmaq Spirit of Empathy

Throughout her practice, Renée Condo draws on the philosophical tenets of her Mi’gmaq ancestry. The Montreal-based artist works with wooden beads that she sands, paints in bold acrylic, and nests into energetic compositions depicting juicy fruits, raindrops, and brilliant, golden suns.

Condo is interested in mntu, or spirit, and what she refers to as heart knowledge, acts that emerge from empathy and love. Through sculptural pieces that emphasize interconnection and flow, the artist draws on Indigenous creation stories and myths, considering her beadwork a reimagining of various traditions.

a beaded work by Renee Condo of pink cherries
“Giju'” (2024), wood beads, acrylic paint, epoxy on wood panel, 72 × 60 inches

Condo often engages the relationship between the component and composition, emphasizing the ways in which a singular piece would appear abstract without a broader context. “The bead as fundamental entity, as infinite potentiality, can appear as divided, as unit, as part,” she says, “but is at once whole and all-encompassing, holding secrets of the world and to the nature of reality.”

This fall, Condo will have work on view at GAVLAK, where she’s represented. You can find more of her practice on Instagram.

a wooden bead piece by Renee Condo of a cherry emerging from the left side
“Newt” (2023), wood beads, acrylic paint, transparent epoxy resin on wood panel, 60 × 60 inches
a round wooden bead piece by Renee Condo of a cherry like form on white
“Welgwija’latl V” (2023), wood beads, acrylic paint, epoxy on wood panel, 44 × 44 inches
a detail of a wooden beaded work by Renee Condo of two cherry-like outlines
Detail of “Gesiangam’tg 2” (2025), wood beads, acrylic paint, epoxy on wood panel, 60 x 25 inches
a tall oval wooden beaded work by Renee Condo of cherry-like outlines
“Gesiangam’tg 3” (2025), wood beads, acrylic paint, epoxy on wood panel, 60 x 25 inches
a wooden bead piece by Renee Condo of a yellow circle with blue dots and a lighter yellow square at the center
“Pgumane’get / Go to get (pick) Blueberries” (2022), wood beads, acrylic paint, transparent epoxy resin on wood panel, 60 × 60 × 2 inches
a diptych by Renee Condo of water droplets and a rounded yellow sphere near the top
“Ne’talqigwat: Between Worldviews (a,b)” (2024), wood beads, acrylic paint, epoxy on wood panel, 72 x 60 inches each
a detail image of a blue and yellow beaded work by Renee Condo
A studio view of “Ne’talqigwat: Between Worldviews (a,b)” (2024), wood beads, acrylic paint, epoxy on wood panel, 72 x 60 inches each
a triptych by Renee Condo of three beaded panels with cherry-like forms emerging from the center
“Untitled” (2025), wood panel, wood beads, acrylic paint, resin, 72 x 48 inches each

Do stories and artists like this matter to you? Become a Colossal Member today and support independent arts publishing for as little as $7 per month. The article Vibrant Beaded Compositions by Renée Condo Convey the Mi’gmaq Spirit of Empathy appeared first on Colossal.

A Stop-Motion Fairytale and Oracle Deck by Swoon Conjure an Artist’s Magic

2025-10-30 22:11:16

A Stop-Motion Fairytale and Oracle Deck by Swoon Conjure an Artist’s Magic

Caledonia Curry’s story of the Sibylant Sisters starts like many others in the fairytale genre, although it takes just a few words to realize that something is off: “Once upon a swampy ol’ dirt road, two sisters, Caelum and Terra, were growing up under the care of a spindly little witch by the name of Katarina.” The narrative continues with the sorcerous mother beginning to unravel, prompting the siblings to rely on the younger Caelum’s magical powers to survive.

“This story is drawn from my own childhood growing up at the end of a dirt road with a mother who was in the midst of a psychotic breakdown, and a lifetime spent teasing out the relationship between creativity, intuition, magic, and madness,” the artist says.

Curry, who’s better known as Swoon (previously), has taken a sort of narrative turn in her practice as of late, translating her interest in family and intergenerational trauma into a sprawling, mythical tale. Seven years in the making, the project is multi-disciplinary and spans sculpture, installation, costume, film, and more. Many of the works can be seen in a four-part read-aloud, and they’ve also spawned an 88-card deck called “The Oracle of the Sibylants,” complete with symbolic imagery distinct to the artist’s practice.

Included are renderings common in divination, including stars and smoking cauldrons, along with more idiosyncratic objects like a glowing Skee Ball machine and flailing garden hose. “Suffused with joy and tenderness amidst the hardship, these cards speak the language of fairytale, because there are some truths that can only be told by witches and unicorns, ogres and toads,” Swoon adds.

“The Oracle of the Sibylants” is currently funding on Kickstarter, which features a video glimpsing some of the live-action and animated films to come. Stay up to date with the entire project—which Swoon envisions as a traveling exhibition, films, novella, and theatrical production—on Instagram.

a gif of two stop motion figures in a forest in a film by Swoon
a drawing by Swoon of two people with a converted house van
a still of two stop motion figures, one on a tractor, the other climbing on tires, in a film by Swoon
a display of illustrated oracle cards by Swoon
a gif of drawings circling a house in a film by Swoon
a display of illustrated oracle cards by Swoon

Do stories and artists like this matter to you? Become a Colossal Member today and support independent arts publishing for as little as $7 per month. The article A Stop-Motion Fairytale and Oracle Deck by Swoon Conjure an Artist’s Magic appeared first on Colossal.

‘Out of Print,’ a Shepard Fairey Retrospective, Delves into the Power of Protest

2025-10-30 02:33:44

‘Out of Print,’ a Shepard Fairey Retrospective, Delves into the Power of Protest

From feminist activist Angela Davis to iconic symbols of peace amid political upheaval, Shepard Fairey is known for his bold illustrations and instantly recognizable posters. He rose to prominence within the world of street art and skateboarding culture, creating a sticker in 1989 with the phrase “Andre the Giant has a posse,” which was distributed widely and led to a recurring motif of the wrestler’s face on dozens of subsequent prints.

Fairey’s graphic motifs hit the mainstream in 2008 during Barack Obama’s presidential campaign, in which his portrait sits above the word “hope.” The optimistic work exemplifies how grassroots activism, especially through the form of printing and sharing imagery, can become iconic and have immense influence.

a red, black, and white poster by Shepard Fairey of Angela Davis above the words "power & equality"
“Afrocentric (Red)” (2007), screenprint on paper, 24 x 18 inches

Out of Print, a retrospective of Fairey’s work presented by Beyond the Streets, celebrates what the gallery calls “the rebellious, democratic force of ink and paper.” More than 400 prints designed over the past few decades are joined by new works. Many of the posters emphasize his interest in activism, empowerment, and protest. His subversive practice, known as Obey Giant, even has a slogan: “Manufacturing quality dissent since 1989.”

Fairey often incorporates the color schemes and modernist, graphic motifs of early 20th-century propaganda posters, especially of the Soviet Union. By incorporating design motifs associated with fascism into messages of peace, feminism, love, and democracy, he reinforces the power of the medium. “Some people say digital media has ended print, but the provocative, tactile experience of a print on a wall or in the wild can’t be replaced,” Fairey says. “Printing still matters!”

The exhibition runs from November 15 to January 11 in Los Angeles. Learn more on the gallery’s website, follow updates on Fairey’s Instagram, and purchase prints in his shop.

a red, black, and white poster by Shepard Fairey of a power fist in front of a star, with the word 'OBEY'
“Fist” (2000), screenprint on paper, 24 x 18 inches
a red, black, and white poster by Shepard Fairey of a man's silhouette, carrying a rifle with a flower at the end of the barrel
“Visual Disobedience” (2004), screenprint on paper, 24 x 18 inches
a red, black, and white poster by Shepard Fairey of a woman holding her hands up, with the words "war for sale, no thank you"
“War For Sale (Red)” (2007), screenprint on paper, 24 x 18 inches
a red, black, and white poster by Shepard Fairey of a hand holding a medallion, and the words "high time for peace"
“High Time for Peace” (2005), screenprint on paper, 24 x 18 inches
a red, black, and white poster by Shepard Fairey of three rifles being held up toward the sky, with roses coming out of their barrels
“Guns and Roses” (2006), screenprint on paper, 24 x 18 inches
a red, black, and white poster by Shepard Fairey of a woman with a hat on and a face covering
“Mujer Fatale” (2007), screenprint on paper, 24 x 18 inches
a red, black, and white poster by Shepard Fairey of Angela Davis
“Panther Power” (2007), screenprint on paper, 24 x 18 inches

Do stories and artists like this matter to you? Become a Colossal Member today and support independent arts publishing for as little as $7 per month. The article ‘Out of Print,’ a Shepard Fairey Retrospective, Delves into the Power of Protest appeared first on Colossal.

Pop-Up Letters Set the ‘Alphabet in Motion’ in Kelli Anderson’s Playful Book

2025-10-29 22:54:00

Pop-Up Letters Set the ‘Alphabet in Motion’ in Kelli Anderson’s Playful Book

As a communication designer, Kelli Anderson began her career in information design. “The act of data visualization is all about bringing facts from the abstract and numerical realm into the sphere of perception, so you can see them,” she says in a video on Kickstarter. “And I thought, why stop there? What if you could also feel and experience those facts?”

Last year, Anderson launched a remarkable, five-years-in-the-making project called Alphabet in Motion: How Letters Get Their Shape, an ABC pop-up book about typography. She spent thousands of hours researching design archives and meticulously engineering kinetic and three-dimensional letters to show how type styles have evolved through the ages.

a spread from a book about letter form, with colorful text on top reading 'Aletteris' and numerous colorful shapes in a black field below

“If you look carefully at letters, you can see a secret history of the world—from the Bronze Age to the Information Age,” Anderson says. “But because many of these methods, tools, and machines are now obsolete, this history is challenging to follow. Alphabet in Motion leverages tactile, interactive features to help clarify how letters have transformed alongside technological upheavals and shifting aesthetic moods.”

The project is composed of two conjoined, detachable books. The pop-up section includes an interactive, seven-segment display cover that changes from A to Z, 17 moveable paper elements, and hands-on activities. The accompanying 128-page section contains an essay diving into the history and concept of each pop-up, plus 300 color images from the history of type design.

Anderson’s book originally funded on Kickstarter and is now being released more widely. Secure your copy in the Colossal Shop. Follow along with her work on Instagram, and you might also enjoy another of her projects, This Book Is a Camera.

a spread from a book about letter form, showing different shapes in 2D and 3D like the letters "fi" and "ers"
a gif of a turning page of a pop-up book about letter form
a grid of eight images showing spreads from a book about letter form design
a spread from an interactive book about type design illustrating how modular parts work to form letters
designer Kelli Anderson working on a paper pop-up for her book 'Alphabet in Motion' about letter form
Anderson working on an engineered paper element for ‘Alphabet in Motion’

Do stories and artists like this matter to you? Become a Colossal Member today and support independent arts publishing for as little as $7 per month. The article Pop-Up Letters Set the ‘Alphabet in Motion’ in Kelli Anderson’s Playful Book appeared first on Colossal.