2026-04-17 00:34:12
A new report from the nonprofit research group Tech Transparency Project (TTP) claims that Google and Apple’s app stores go beyond simply hosting harmful “nudify” and “undress” apps that remove women’s clothing in images, and actually encourage users to download those apps.
In January, TTP published research that showed how the app stores host dozens of “nudify” and undressing apps. This new research, released on Wednesday and first reported by Bloomberg, shows how the stores don’t just passively host those apps, but push them toward users through search and advertising.
TTP conducted a series of searches in the Apple App Store and Google Play Store, according to their writeup of the research, using terms like “nudify,” “undress,” and “deepnude.”
After testing the apps that appeared in the top 10 search results, they found that “roughly 40 percent of the apps that came up in both the Apple and Google Play search results could render women nude or scantily clad,” and that “Apple and Google ran ads for nudify apps in some of the search results—including, in Google’s case, a carousel of ads for some of the most sexually explicit apps encountered in the investigation.” They also found that the stores can lead users to more and different nudify apps through autocomplete search queries.
“TTP found that ads for nudify apps came up as the top result in three of the Apple searches. Apple, which controls all of the advertising in its app store, is selling and placing these ads,” the researchers wrote. “Apple says it prohibits ad content that ‘promotes adult-oriented themes or graphic content.’ But TTP’s findings suggest Apple is not always enforcing that policy.” The first result for an App Store search for “deepfake,” they found, was for an app that easily replaces women’s clothed images with nude versions.
In 2024, 404 Media covered how Google surfaced apps through searches for “undress apps,” “best deepfake nudes,” and similar terms with promoted results, despite Google’s ad policies against this type of content.
Nudify apps became a popular market for years, but today, they’re extremely easy to access and are advertised on social media. In schools, children use nudify apps to bully classmates with disastrous results for both the bullies and the victims, and school administrators are often unprepared for how to deal with students using these wildly popular apps.
Google and Apple did not immediately respond to 404 Media’s request for comment. TTP wrote that Apple declined to comment, while Google spokesperson Dan Jackson told them many of the apps identified by TTP have been suspended. "When violations of our policies are reported to us, we investigate and take appropriate action," Jackson told TTP.
2026-04-16 21:00:34
I thought I would be a “cool” bride. I believed this because I never dreamed of my own wedding. When other girls daydreamed aloud about riding down the aisle on a pony, or gracefully officiated the union of a Princess Diana Beanie Baby and a Hot Wheels truck, I came up blank. Despite a constant stream of ‘90s media featuring transformative white dresses, there was nothing my imagination could conjure for it. I was busy scheduling meetings on my toy Palm Pilot. This was fine until 30 years later, when my now-husband asked me what I wanted for our own wedding, and I had nothing. After years of watching friends plan weddings, I only had one preference for the day: I didn’t want to feel stressed out.
There are a few industries that prey on emotion particularly brazenly. The funeral industry is one. The wedding industry is another. I knew this going in. I thought I could defeat hundreds of years of socially ingrained pressure backed by a multi-billion dollar consumer machine. No problem.
What I did not account for—shamefully, considering how much time I spend thinking and writing about technology in my professional life—was that in the more than three decades I’d spent building a resistance to deeply gendered expectations on my existence, that machine was perfecting the art of making me feel weird, broke, and ugly, and I wouldn’t recognize what was happening until I was deep in it. I’m talking about the wedding planning algorithm.
When Lillie and her fiance Morgan got engaged, Lillie told me she saw the difference in her social media feeds the moment she texted her friends the news. (They’re using first names only in this story for their privacy.) “Immediately, all of my social media was just flooded,” she told me in a phone call. “And I think at the beginning it was all just so shiny and new. I was like, ‘This is so awesome.’ So I did kind of consume a lot of bridal media pretty strongly out of the gate, because I didn't quite realize yet how much it was going to take over every single one of my social media apps.”
We talk a lot here on 404 Media about “the algorithm.” Usually we're referring to either Instagram Reels or Tiktok. Part of the reason we discuss and dissect it so frequently is because if you're not careful, the algorithm—the spew of content these apps automatically show you based on your past viewing habits, data from other apps, or what the app thinks you’re interested in—becomes a mirror of your mind; this is dangerous territory considering it's easy to manipulate by people, brands, networks and corporations with perverse incentives.
Some of this actually seems, and sometimes is, helpful at first. The design pattern of infinite scrolling relies on a variable reward system to be effective and truly endless. The next thing you see in your feed might be the exact nugget of wisdom, life hack, or listicle you needed to make your life better, or, in this case, your wedding flawless. But you’ll never know unless you keep scrolling through the next hundred useless or actively brainrotting videos.
Like Lillie, the moment I got engaged and started Googling wedding dresses and venues was the moment my entire social media experience shifted into the Bride Algo. Every Reel and Tiktok, and I do mean every single post, contained something new I needed to change about myself:
Journalist CT Jones calls the effect this content has on even the most level-headed people “wedding brain.” They recently wrote: “There’s this fog around my head that I can’t seem to shake when it comes to this event. My TikTok algorithm tells me every three swipes about the ‘biggest mistakes people make that ruin their special days.’”
Today's authority on weddings is Vogue, and in January 2020, Vogue correctly identified that social media was changing everything about how couples plan weddings. “Women of the 2010s became a lot more knowledgeable thanks to social media,” designer Danielle Frankel told the magazine. “They began seeing not just their friends getting married, but aspirational brides they follow on Instagram. There’s something kind of cool about researching through real people and their experiences, and the ability to share stories through a social platform.” In the six years that followed, this chipper assessment of there being “something kind of cool” about literal celebrity weddings does not age well. Being an influencer or content creator became one of the dwindling few ways for anyone in a creative field to make a living, a situation solidified by a tanked economy, a never-ending housing crisis, widespread unemployment, and AI gutting of a variety of fields.
Fast forward to earlier this month, New York magazine published a story about the behind-the-scenes process that decides whose wedding makes it into Vogue, and what happens when they don’t. “One woman in the fashion industry had a breakdown after Vogue turned her down,” journalist Charlotte Klein wrote, adding that the jilted bride went to trauma rehab after. But the real crux of the issue—how multi-million dollar Vogue weddings, most of which are not celebrities but are parties thrown by total unknowns, are perceived, consumed, and rely on real, normal people’s attention—comes at the very end of the story, in a quote from a mysteriously anonymous fashion editor: “A wedding is a lot of work. It’s a full production and you’re spending months on it and you’re designing it—it’s a creative achievement in a way. If someone puts on a play or does an art installation, they get press and attention for it. And it’s like, Well, I did all this stuff for my wedding. Where is my round of applause?”
That editor is talking about the Beckhams of the world, and the reality TV stars, and the old, old money Beltway normies. But they’re also talking to, and about, the rest of us.
This is all so much insidious than it used to be. While the lifestyles of the rich and famous used to be reserved for magazines and Hollywood, we’re all swimming in the same algorithmic ocean now. “Today, Instagram encourages people to treat life itself like a wedding-like a production engineered to be witnessed and admired by an audience,” Jia Tolentino wrote in her 2019 book of essays Trick Mirror. “It has become common for people, especially women, to interact with themselves as if they were famous all the time. Under these circumstances, the vision of the bride as celebrity princess has hardened into something like a rule. Expectations of bridal beauty have collided with the wellness industry and produced a massive dark star of obligation.”
I know that I’m not alone in the Weddingtok and the Bridal Algo because people have started making videos mocking the content that’s stressing us all out. “If you feel calm, it’s probably because you’re forgetting something,” one planner says in a satirical video. The comments on these send-up videos reveal hundreds of women saying they’re stressed beyond belief, losing their minds, or otherwise crashing out. A comment on another such video: “Me locking in because I’m getting married next month and I fucking hate myself is literally my entire personality.” On another: “Pulling my hair out and screaming and can’t wait to disappear.”
Looking back, the moment I first heard the phrase “cake inspo board” feels like foreshadowing. I'd emailed a handful of bakeries and filled out a dozen inquiry forms at that point in the planning process. Because of competitiveness among vendors about rates and offerings (or possibly because some evil McKinsey for Weddings-type MBA entity decided this is a useful lead generation sales flow), every piece of information has to come directly from a vendor these days and is almost never listed on their websites publicly. It’s acquired by prospective clients, who blast 400 inquiries to their contact forms, some of them requiring multiple choice quizzes about the budget, timeline, “wedding day vibe” and personal social media handles. A few bakers got back to me with quotes for simple cakes. One asked for my mood board. For a cake? Like... flavors? I felt like I’d missed a step going down the stairs. I didn't have a vision board for the cake. I needed a vision board for the cake.
Prior to planning a wedding, I hadn’t used Pinterest since 2008. When I started using it again after several vendors asked me for it, I felt a sugary thrill at pinning a disjointed collage of flowers, dresses, and other things I’d only describe as moon-landing-aspirational boards. Pinterest, meanwhile, is increasingly a minefield of AI slop, and has been for a while, with AI-generated makeup inspiration photos and dresses, which makes the process feel more confusing and unachievable.
Alongside the thickly-iced and piped “vintage” triple-layer cakes is “thinspo” content, in the form of viral walking routines, the Gabby George arm workouts, and ads for ordering a GLP-1 online. “Thinspo” content is all over Pinterest and other social media platforms.
“On Pinterest, every single photo is bones. Like, I can see clavicles. I can see sternums. I can see collarbones,” Lillie said. “Especially with the bridal outfits.” Once she starts feeling herself spending too much time looking through this kind of content, she takes a break.
"I'm like, okay, you know what? At least it's not just me, at least I'm not the only one who's like, ‘This is crazy.’”
I asked my friend Kelli Sullivan, whose objectively stunning wedding I attended in 2025, if she’d felt any of these anxieties while planning hers. “I feel like social media especially in recent years has gone so overboard with talking about and showcasing weddings, and particularly in a super influencer and curated style, that even subliminally influenced my own decisions when planning,” she said.
“I don’t feel like social media gave me direct pressure when it came to planning and decision making, but it definitely influenced my wedding,” Kelli said. But it wasn’t all bad for her, necessarily. “I really loved immersing myself in that niche of social media and was inspired by Pinterest, Instagram and TikTok wedding ideas that helped shape many of my decisions and ideas I never would have really even considered as a possibility otherwise,” she said. “I also really appreciated insights from other brides and hearing their horror stories and similar struggles made me feel less alone when things felt heavy in planning.”
Lillie said the same. “That is just the beauty of social media, sometimes, to just not feel alone. That has been really, really helpful for me,” she said. “But I'm like, okay, you know what? At least it's not just me, at least I'm not the only one who's like, ‘This is crazy.’”
Attending Kelli’s wedding, and all the other beautiful but vastly different weddings my friends have planned over the years, felt essential to understanding the many unspoken rules around ceremony, etiquette, and tradition, and all the ways these rules should be broken. But Lillie is the first of her friends to have a wedding. “I will kind of be the guinea pig for all of my friends, I guess, to look at my wedding and be like, ‘this is how Lillie did it,’” she said. “That’s also kind of been a lot of pressure. It's hard.”
Adding to that pressure, she and Morgan are navigating these expectations as a lesbian couple in Idaho, and where they live skews heavily Mormon, conservative, and Christian. They use social media to vet vendors’ friendliness toward queer couples before contacting them, scanning Facebook and Instagram pages for signs of intolerance or hate. Lillie calls this being “on the lookout.”
“Are these people that I want to interact with? How are they going to treat me? Am I going to be treated differently? I have to get some stuff altered for the boys suits, and we’d gotten in contact with a local seamstress up here, and I'm like, scrolling through her Facebook to see how she feels about me. And that's just a tiring thing to do. But it’s for my own safety. I don't want to go into these people's houses if it’s not going to be somewhere safe for me. That sometimes sounds really dramatic, but it's not. It just kind of casts a sort of shadow over everything,” Lillie explained. “This is supposed to be just such a joyous time of our life.”
Almost all of the most viral wedding planning content on social media is aggressively heteronormative—a reflection of an industry struggling to keep up, and attitudes toward queer relationships and marriage in this country that are painfully, dangerously outdated. Lillie tells vendors that she and her fiancée are both women, and they still ask her who the groom is. They routinely ask her, “Who’s going to be the boy?” Meanwhile, Tiktok tells us a silk scarf basque waist dress and a sparkler exit is the real sin.
During my own planning, guests and vendors frequently asked me what our “colors” were. I didn't want to have specific colors, but the algorithm told me that even multicolor weddings are on-trend (derogatory), part of a “wildflower” fad of eclecticism. The algo also told me, over and over, that no matter what else I did, there was one combination to avoid lest I become a cringe dated chopped unc chud of a bride: chartreuse and burgundy.
One of the planning tasks I truly enjoyed was picking out and arranging my own (minimal) florals. If the wedding you’re planning is at a venue that’s not all-inclusive—meaning, it’s on you to supply everything from the chairs and linens to the sound system, florals, food, desert, on and on—a lot of the process is emails and payment portals. I wanted to choose and assemble my own flowers for this reason: I needed to do something with my hands, finally, that brings me joy.
My fiancé and I went to a wholesale flower market two days before our wedding and picked bunches. And ultimately, when I got to the flower market with no plan for my bouquet other than to choose what called to me, I ended up with a swaggy handful of hanging burgundy amaranthus stems and bright lime Bells-of-Ireland. Now everyone would know I got married sometime between 2025-2026.
This fear of being dated is a real joy killer, and a heavily-pushed narrative on the bridal algo right now. I love Basque waisted dresses and find them reliably flattering for my body shape, but #2026Bride influencers deemed them inexplicably cringe at some point in the last year, so my attraction to them soured, and finding a dress became a nightmare of rush shipping, returns and restocking fees. (While writing this story, InStyle published a piece that could only be made in that lab: a series of collage illustrations imagining Taylor Swift in wedding dresses, including one captioned “If you’re on #WeddingTok in 2026 like I am, you’ll know that the patron saint of basic bitches, Taylor Swift, is a basque-waist dress, burgundy-and-chartreuse color palette girl.”)
The fact that I can be swayed at all by what an internet person thinks, as a 36 year old with decades of being socially weird under my belt, disturbs me. I know that everything about what we do, wear, say, and choose is destined to be dated someday because we exist in a specific time. And yet, realizing when I got back with my bouquet and 15 pounds of freshly cut florals that I’d still somehow broken the year’s biggest, most made up mean-girl rule made me feel like an uncool little kid again.
In the car on the way back from the flower market, I bemoaned all of these things to my fiancé, who endured our apartment transforming into a shipping warehouse for weeks. He asked if it's a “comparison is the thief of joy” type-thing. It is that, but the comparison is no longer with some girl you went to high school with. Rather, it's an entire universe of options, budgets, opinions, and salespeople. In the scroll, it’s hard to tell the difference between a wedding real people got married at, and a photo spread that's meant to highlight a set of vendors or brands. Twenty years ago, an average couple might have had a wedding in their backyard or at the firehouse with catering, but surely they weren’t this stressed about tablescapes or cake inspo Pinterest boards.
"Most couples aren’t models, most budgets aren’t six figures, and most wedding days don’t unfold under perfect conditions."
People are getting wise to this. And there’s one type of wedding that I scrolled past over and over again before I realized they were all entirely staged: styled shoots. “Styled shoots are a common cheat. It’s kind of unethical imo. Once you know what to look out for, it’s pretty obvious,” Lana Dubkova, a documentary-style event and brand photographer, recently posted on X. Lana’s been a photographer for a decade but started doing weddings full-time in 2023. In a styled shoot, photographers, confectioners, designers, florists, venues, stylists, and the rest of the wedding vendor galaxy come together, often with professional models to serve as the bride, groom and guests, to display their wares in an editorial setting. These aren’t real weddings, but are meant to advertise their work to real couples and planners. And they are impacting real couples’ wedding day wants.
Lana told me in an email that although her clients typically come to her for her own candid style, she often needs to “gently recalibrate” their expectations. “A common tension is that couples want both a highly immersive experience and an extensive set of posed, editorial images... without realizing those require time! A wedding day is finite, and every decision is a tradeoff: more time spent on photos often means less time spent with guests,” she said. “Most of these expectations come from social media, where timelines, budgets, and logistics are invisible. What’s presented as effortless is usually highly produced, and that disconnect can create unnecessary pressure.”
She doesn’t believe styled shoots are all bad. They do serve a purpose for vendors’ portfolios. “There's a case to be made that maybe you're not getting hired for the type of weddings you would like to photograph and so you invest the money into a styled shoot to be able to display the style of wedding you want to be hired for in your portfolio,” she said. “Takes money to make money etc. But let's say you're a client looking to hire a photographer for a wedding. How would you feel if you found out the photographer you hired had ONLY styled shoots in their portfolio and had never actually shot a real wedding before? I imagine you'd want to know that ahead of time.”
Styled shoots “become problematic when they’re presented without context,” she said. “A styled shoot is, by definition, a controlled environment: professional models, ideal lighting, high-end venues, curated florals, and unlimited time. Real weddings are the opposite: dynamic, time-constrained, and emotionally complex. Most couples aren’t models, most budgets aren’t six figures, and most wedding days don’t unfold under perfect conditions. A photographer’s ability to work quickly, adapt to changing light, and make people feel comfortable matters far more than their ability to create a perfect image in a controlled setting.”
If you’re not planning a wedding or haven’t in the last three years or so, you might not be familiar with any of the content I’ve described so far. But this is the insidious nature of “the algorithm.” No one else is seeing yours. No one attending my wedding (except for others who were also recently married and are online) knew or cared that chartreuse and burgundy have been deemed cliche. They just liked the bouquet and thought it was pretty. And if they knew, they didn’t say it to my face, because talking about the internet in real life is absurd.
“If social media didn’t exist or especially exist in the way it does with the curation (for weddings in particular) I probably would have done things way differently and maybe simpler,” Kelli told me. “Having a universe of options shown constantly online did give decision fatigue and also a pressure to have everything be aesthetic, especially with the knowledge that what we will share from the wedding will be perceived by others on social media.”
“If I knew then what I know now, would I have planned a smaller wedding? Would I have probably eloped? Yes,” Lillie told me. “Do I still have, like, $8,000 in nonrefundable deposits down? Yes.”
The things I remember about my friends’ weddings are not their tablescapes or whether they featured some forbidden color combination, and I didn’t make lists of things that made me secretly hate them. I remember, most of all, the moments around the weddings: meeting at a cobblestone street cafe the night before for warm Kronenbourgs, pouring mimosas on a moving bus in the morning, gluing an eyelash back on in a beach bathroom, fireworks shows both planned and unplanned, watching my newlywed friends sing and dance and feeling grateful to witness it all. The million tiny moments I remember from my own wedding are part of a different galaxy than all the shit my algorithm told me to worry about.
In the end, I didn’t make a cake vision board. I picked up cakes at the grocery store two days before the wedding, and in the heat of the evening, they melted into piles of buttercream goo before we could cut them fast enough. While we struggled to light candles, they toppled into heaps of pink and white icing and we just laughed.
Now that I’m several weeks beyond my own wedding, my algorithm has moved on, almost entirely free of bridal content of any kind. It has realized, or decided, that I have no need for it anymore, and must push me on my way to the next Arbitrary Human Milestone. It’s the exact same type of pseudo-authority influencers and ragebait disguised as wisdom, just for another industry the profit-making machine has been waiting eons to target me with: babies.
2026-04-16 08:09:26
On Wednesday shareholders in Thomson Reuters demanded the company’s board launch an investigation into whether its products have contributed to human rights violations, specifically with regards to Thomson Reuters’ ongoing sale of peoples’ personal data to Immigration and Customs Enforcement (ICE).
Thomson Reuters sells access to the CLEAR investigative database, which can include peoples’ names, addresses, car registration information, Social Security numbers, and details on someone’s ethnicity. 404 Media has repeatedly shown how CLEAR is integrated with ICE tools, including one ICE uses to find neighborhoods to target.
The move is the latest piece of growing pressure against the company concerning its contracts with ICE and the Department of Homeland Security (DHS). It follows an internal protest in which more than 200 Thomson Reuters employees sent leadership a letter expressing their concern with those contracts. As 404 Media reported on Tuesday, Thomson Reuters fired the worker who led that effort, according to a newly filed lawsuit.
“Shareholders request the Board commission an independent human rights impact assessment evaluating the extent to which TRI’s [Thomson Reuters] products may contribute to adverse human rights impacts when used by law enforcement agencies, including when TRI’s products are combined with other surveillance technologies,” the shareholder proposal, written by the B.C. General Employees’ Union (BCGEU) and viewed by 404 Media, reads. BCGEU is a minority shareholder in Thomson Reuters.
“The assessment should address reasonably foreseeable risks arising from aggregated or integrated use of surveillance tools by law enforcement or immigration authorities and recommend measures to mitigate such risks,” the proposal adds. It asks that any produced report “be publicly available, subject to confidentiality and competitive considerations.”
The proposal repeatedly cites 404 Media’s investigations. In January 404 Media revealed the existence of a Palantir-made tool called Enhanced Leads Identification & Targeting for Enforcement or ELITE. That tool populates a map with potential deportation targets, brings up a dossier on each person, and includes a “confidence score” on each person’s address. An ELITE user guide 404 Media obtained said a source for some of those addresses includes “CLEAR.” Two DHS sources told 404 Media they believe this specifically refers to Thomson Reuters’ CLEAR.
The shareholder proposal also cites a November 404 Media article which showed how data from Thomson Reuters, such as driver license data, voter registrations, and marriage records, can be combined with license plate reader data from Motorola. ICE invited staff to demos of the tool, called Mobile Companion. “Thomson Reuters CLEAR combines comprehensive public and proprietary data with nationwide license plate data from Motorola Solutions’ secure shared data network to help take vehicle-involved investigations to a more precise level,” internal ICE material viewed by 404 Media said.
Emma Pullman, head of shareholder engagement and responsible investment for the BCGEU, told 404 Media in an email: “What is not disclosed cannot be managed, and that is why we are calling for an independent, human rights impact assessment of how Thomson Reuters’ products may contribute to human rights harms, particularly when used by law enforcement, and when the Company’s products are integrated with other surveillance technologies.”
“What we are asking for is pragmatic investor due diligence. This is what responsible stewardship of capital demands,” she added.
The BCGEU proposal laid out the legal risks Thomson Reuters may face by providing ICE with such data. “ICE’s immigration enforcement activities are the subject of multiple lawsuits in response to credible reports of unlawful and improper detentions, due process violations, surveillance of citizens, and deaths,” it said. “TRI faces compounding legal, reputational, and governance risks. TRI’s employees have spoken out publicly, which could impact TRI’s ability to deliver on its goals.”
It also points to the United Nations Guiding Principles on Business and Human Rights, which Thomson Reuters says it endorses. The proposal says companies must conduct due diligence on “actual and potential impacts including where data may be accessed, used or repurposed beyond original intent,” and “direct and indirect impacts, including from business relationships.”
A Thomson Reuters spokesperson told 404 Media in an email “As outlined in our recent Proxy Circular and Shareholder Proposal, we have completed our second human rights saliency and impact assessment (HRSA/HRIA) covering our global operations, services, and products, including our investigative solutions. The assessment was conducted in 2025 with an independent consultancy specializing in human rights and responsible innovation, alongside external legal counsel. As part of our commitment to transparency, we plan to publish key findings on our website later this year.”
Update: this piece has been updated with a statement from Thomson Reuters.
2026-04-16 01:43:17
Ukrainian President Volodomyr Zelenskyy praised robots as the future of war in a Defense Industry Worker Day address on Monday. “For the first time in the history of this war, an enemy position was taken exclusively by unmanned platforms—ground systems and drones. The occupiers surrendered, and the operation was carried out without infantry and without losses on our side,” Zelenskyy said.
Zelenskyy didn’t specify which ground operation he was referring to, but Ukraine’s 13th National Guard Brigade Khartiya conducted an operation north of Kharkiv in December last year that fits the bill. The Wall Street Journal reported on the operation which it said involved 50 aerial drones and an unspecified number of land drones.
The Journal watched footage of the assault provided by Ukraine. “The robot wars began,” it said. “Russian FPV drones appeared, launching themselves at the land vehicles, according to the footage. One came close to destroying a land drone, which fired back at the Russian line with a mounted machine gun.”
Ukraine won the fight and took the position, but the Journal didn’t report that any Russians surrendered. A spokesperson for the 13th National Guard Brigade Khartiya told the Journal that they found Russian corpses when they sent humans into the position to secure it.
According to Zelenskyy’s Defense Industry Worker Day speech, ground based robots have conducted 22,000 missions on the frontlines of the war in Ukraine in the past three months. “In other words, lives were saved more than 22,000 times when a robot went into the most dangerous areas instead of a warrior. This is about high technology protecting the highest value—human life,” Zelenskyy said.
It’s unclear which of the 22,000 missions included the surrender. It may seem like a stretch to imagine a soldier surrendering to an unmanned ground vehicle with an assault rifle and a camera strapped to it, but similar things have happened over the past four years of war. The conflict has become defined by the use of drones on both sides and there’s lots of footage of Russian soldiers surrendering to flying drones.
One of the most famous incidents occurred in 2022 but it became so common that Ukraine established a program called “I Want to Live” that used drones to facilitate surrenders. Ukraine’s armed forces released video instructions about how to surrender to a drone. Russian soldiers could text ahead of time, make an appointment to flee the frontline, wait for a Ukrainian drone, and follow it out of combat with their hands in the air. It’s possible the world will see similar footage in the future, but the drones will be on the ground instead.
The War in Ukraine has ground on for years now and become a war of attrition and inches. The loss of life on both sides is devastating and the proliferation of flying drones has created vast no-man’s lands between Russian and Ukrainian positions. Despite Zelenskyy’s praise of Ukraine’s robotics industry, it’s unclear if embracing UGV as a replacement for infantry will change that reality.
But the world is watching and taking notes. The Pentagon is working on its own ground drones, some of them controlled by AI systems. The U.S. Army is testing one system, called the ULTRA, in Vaziani, Georgia near the country’s border with Russia. Ukraine also helped the US soldiers counter Shahed drones during the recent war with Iran.
On stage, Zelenskyy’s Defense Industry Worker Day speech stressed the importance of Ukraine to Europe and the rest of the world. “We are not building new cooperation with partners on weapons the way it was done in the 1990s or early 2000s, when Ukrainian weapons and strength were sold off like a Black Friday sale,” he said. “We are not making fairs of our weapons, nor are we emptying our stockpiles. We are offering security partnerships.”
2026-04-15 21:29:56
In May 2022, the Chief of Space Operations (CSO) at the U.S. Space Force (USSF) “slapped the table on a final melody” for the agency’s new theme song. The goal was to have the song all done by mid- to late-August. Every branch of the armed forces has its own song, and the Space Force being a relatively new agency needed one too.
The result, if you remember, was this song:
At the time, the CSO had only approved the melody and words. So that meant the USSF now had to work with a composer on harmonies and everything else. The goal was to provide the CSO “with 3(ish) options for Official Version of the USSF Song,” according to internal Space Force emails 404 Media obtained through a Freedom of Information Act (FOIA) request.
2026-04-15 20:50:19
We start this week with Joseph’s story on the inherent friction between secure chat apps like Signal and the phone they’re running on. Incoming message content can be stored in a phone’s internal notification database. After the break, Matthew tells us the latest about the data center pushback. Then in the subscribers’ only section, Emanuel tells us all about Marathon and its player numbers.
Listen to the weekly podcast on Apple Podcasts, Spotify, or YouTube. Become a paid subscriber for access to this episode's bonus content and to power our journalism. If you become a paid subscriber, check your inbox for an email from our podcast host Transistor for a link to the subscribers-only version! You can also add that subscribers feed to your podcast app of choice and never miss an episode that way. The email should also contain the subscribers-only unlisted YouTube link for the extended video version too. It will also be in the show notes in your podcast player.
FBI Extracts Suspect’s Deleted Signal Messages Saved in iPhone Notification Database
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